< Back Adrianne Greenbaum Flute/Klezmer/Baroque Learn More Videos About ADRIANNE GREENBAUM , pioneer of the klezmer flute tradition, recognized as the “Queen of Klezmer Flute”, Professor of Flute at Mount Holyoke College, is the foremost purveyor of the klezmer flute tradition. Having reached International acclaim as both a klezmer and classical flutist, Adrianne performs on modern, traverso and 19th c. flutes. She has performed in many national and international festivals and conventions: as soloist with orchestra at the National Flute Convention, solo recitals at the British Flute Convention, full concerts in the KlezMore Festival in Vienna, tours in US, Scotland and Poland with a variety of narrated themes that are both informative and highly entertaining, with dancing in the aisles being a must. Adrianne Greenbaum is a nationally acclaimed flutist and clinician, performing on historical instruments of the 18th and 19th centuries and modern Boehm system. https://www.youtube.com/watch?v=z0SaP05nq2o Having received her upper level degrees from the Oberlin College Conservatory and Yale University School of Music, she has held professorships for five decades at prestigious colleges and universities previous to Mount Holyoke, those being Smith, Yale and Wesleyan. With performances of both klezmer and classical concerts across the globe, her career ranks amongst the finest musicians of her time. She began her career as a classical musician, maintaining her presence in the field performing recitals at universities, conventions national and local – Brittish, National Flute Association, New York to name a few - and as an orchestral musician as Principal of both the New Haven Symphony (recently retired) and Orchestra New England. Highlights of her presence in the classical arena included many years performing with the New York City Ballet Orchestra, performances with New York’s Mostly Mozart Festival, and as Principal flutist with Berlin Ballet at the Met. She can be heard in recordings of her own solo album “Sounds of America” as well as those produced by Koch International and Music Masters labels. As a klezmer flutist Adrianne has been crowned The Queen of Klezmer Flute, thanks to both a press comment and public opinion. Rising to prominence early on with her first album “FleytMuzik”, performing with stellar musicians Cookie Segelstein, Josh Horowitz and Marty Confurius, attention was quickly and easily drawn to Greenbaum as the foremost exponent and pioneer of the klezmer flute tradition, a position held in high regard by her esteemed colleagues. Audiences as well have come to truly appreciate the instrument’s special qualities because of such high level performing on the long-forgotten instrument of the ensembles of the past. Her FleytMuzik albums, with the above-mentioned musicians and more recently with Pete Rushefsky, Michael Alpert and Jake Shulman-Ment, as well as an earlier recording Family Portrait, produced by her first klezmer ensemble “Klezical Tradition”, have been firmly placed in the core of the klezmer output of the late 20th and now 21st centuries. Her latest recording project Farewell to the Homeland: Poyln gained an appreciation from the public and from colleagues alike for connecting early klezmer bands of Poland – in particular the Frandt kapelye of Dubiecko, Poland – and continues to be presented in narrated form in concert. Other themed concerts with FleytMuzik include a narrated A Khasene far di Zisn Kale and her touring show Tartan, Baroque and Klezmer! A recently added klezmer project is the formation of “di naye froyen kapelye” a super group of five prominent North American women in klezmer, with Cookie Segelstein, Marilyn Lerner, Susan Watts and Lauren Brode. https://www.youtube.com/watch?v=lRC1xHjtJsY Adrianne Adrienne Greenbaum flute klezmer klezmerflute classical professor Mount Holyoke College Photo by Lloyd Wolf ADRIANNE has involved herself with teaching at all levels, from the day-one experience of flute playing, to coaching professionals on the fine distinction of colorful tone production, period performance practice and making music come alive. Beyond her private studio she has taught at many adult programs: KlezKamp, KlezKanada, KlezmerQuerque, Boxwood Festival (Nova Scotia) and Santa Fe Flute Immersion. Known as the Flute Pioneer in the klezmer world, Adrianne leads workshops wherever she travels: England, France, Austria, and across the US. She is a published composer and arranger of her own compositions of flute choir and of flute and orchestra music. RECORDINGS: You will find my records on the “Shop” page in the menu. The hard copies are for those who wish to read my detailed liner notes. For digital, iTunes carries all but "Sounds of America" which you will find on my BandCamp account by clicking on the link. To whet your appetite, you can peruse Youtube by typing in my name (Adrianne - with an "a") and flute OR take a listen to this fun video I have selected for you! (Epic fun times for me, with Michael Alpert, David McGinness, and Lev when we toured in Scotland!) Previous Next

< Back Nader Abbassi Conductor and Composer Learn More Videos About NADER ABBASSI - Conductor and Composer In his conducting career Nader Abbassi benefits from his wide professional experience as composer, singer and bassoonist. He made his acclaimed conducting-debut in 2002 with Verdi's "Aida" at the pyramids in Giza. His extensive work as an opera-conductor includes: “Maria Golovine”, “Hamlet”, “Un Ballo in Maschera”, “La Belle Helene”, “Aida”, “Carmen” (Marseille Opera House), “Dialogues des Carmelites” (Opéra de Bordeaux), “Aida” (Glimmerglass Festival New York, Thessaloniki Greece, Beijing China), “La Traviata”, “La Bohème” (Ireland & Russia), “Madama Butterfly”, “Barbe Bleue” (Marseille) “Kiss Me Kate” (Geneva). In the course of his career Nader Abbassi has held the positions of artistic director and principal conductor of the following orchestras: Qatar Philharmonic Orchestra, Doha, Katar (2009-2012) Cairo Opera Opera Orchestra, Cairo, Egypt (2002-2011) Under his leadership these orchestras were invited to perform in many tours and festivals in Germany, Austria, France, Netherlands, Greece, South-Korea, China, Oman, Mexico, Argentina. Since 2004 Nader is the musical director of the Orchestre pour la Paix Paris, France. This orchestra was founded by the Argentinian pianist Miguel Estrella and unites young professional musicians from all over the world to promote a peaceful dialogue between different cultures and religions. With the Orchestre pour la Paix Nader Abbassi leads performances at the UNESCO World Heritage Site in Petra (Jordan), the International Court of Justice at De Hague, Théâtre de Châtelet, the Sénat de France. A charismatic artistic leader, commanding a large repertoire of opera, ballet and symphonic music, he is a regular guest conductor at many international opera companies and orchestras, such as: Orchestre de la Suisse Romande, Orchestre de Marseille, Orchestre de Bordeaux, Orchestre Symphonique de Bretagne, Glimmerglass Festival NY, Sacramento Philharmonic, Mexico Symphony Orchestra, Royal Opera Oman, Slovenian Philharmonic Orchestra, Lisbon Philharmonic Orchestra. He is a permanent Jury member of the “International Stenhammar Singing Competition” at Norrköping, the UNESCO City of Music in Sweden. Nader Abbassi is the founder and musical director of the United Philharmonic Orchestra & Choir - with whom he performs various concerts and participates in numerous international musical events. In 2021 Maestro Nader Abbassi is the musical director and conductor of two unique historical events in Egypt - each including more than 1000 musicians under his his leadership: The Pharaoh’s Golden Parade - celebrating the journey of 22 Royal mummies through the city of Cairo . https://www.youtube.com/watch?v=bnlXW7KZl0c The Opening Ceremony of the Antique Sphinx Road at Luxor https://www.youtube.com/watch?v=jA5oSNsty2Y Both events were globally broadcast and earned wide international recognition. The Sphinx Road also featured several of Nader's original compositions. The compositions of Nader Abbassi are being performed by numerous orchestras in France, Europe, Asia, North- and South America. For his achievements in music and culture Nader Abbassi has received many distinctions and awards: (selection) -Award of Excellency for the Pharao’s Golden Parade by the Ministry of Antiquities and Tourism Egypt -Award of Excellency of the Ministry of Culture Egypt -Award of Honour of the University of Technology and Information, Cairo, Egypt -Award of Lifetime Achievement of the Egyptian State TV -GPIS Award of Excellency -Award of Special Achievements for the Arts, National Academy of Arts Egypt -Award of Achievment for the Young Generation of the Cairo University -Award of Honour of Ain Shams University Previous Next

S ound Espressivo Rules, Regulations, Formats Some competitions may have varied requirements for repertory, age, dates, and other, and may award unique Prizes not available in other Competitions. For additional details please read carefully the webpage for that Competition. For additional details about Masters and Masterworks Competition, please see Section 15 below. Download a PDF of Rules here 1. Eligibility Competition is open to classical and jazz musicians of • all nationalities and all ages • all instruments and voice • ensembles and groups of any size and composition For the Preliminary Round applicants must either submit a recent video of their own performance or choose a date on the Application form to audition LIVE through an Internet Broadcast system. Semi Finalists and Finalists MUST be prepared to compete LIVE through Internet Broadcast TV method. Participants for The Sound Espressivo competition must have access to broadband internet with a computer that contains a microphone and video camera. Technical assistance, necessary preparations, consultations, individual remote tech check sessions with Broadcast Producers and Engineers, production of the Broadcast, and Broadcast management are provided by the Sound Espressivo partner, a Virginia based broadcasting and production company Virtual Concert Hals. 2. Competition Rounds Sound Espressivo is held in two rounds: • Preliminary Round • Finals 3. Dates, Deadlines, Application Process Refer to specific Dates and Deadlines stated on the Competition websites, for each Concert Season Contestants apply online through SEC website Portal by filling out the Application Form and completing the payment through SEC payment system online. Payment methods: major credit cards. Additional payment methods can be requested by an applicant, but not guaranteed. All contestants who advance to Finals Round will have to fill out a Registration Form and pay Live Auditions fee by a deadline stated in the Form, in order to confirm their participation in the Final Round. 4. Financial Aid Full and Partial Scholarships covering Application and/or Registration Fees may be awarded to qualified applicants based on need. Inquiries and requests for Financial Aid are considered based on the Applicant’s unique circumstances and the Competition’s ability to provide funds. Financial Aid may be awarded to qualified applicants towards purchasing and/or renting necessary equipment required for quality broadcasting of the Contestant’s performances in Semi Final and Final Rounds ONLY. No Aid will be awarded towards costs for Preliminary Round video submissions. 5. Age Groups, Categories, Instruments SEC accepts all instruments, ages, styles, and voice. In the Preliminary Round of the Competition contestants compete within their respective age groups. Instruments accepted: • Piano • All String Instruments • All Wind Instruments • Guitar • Harp • All Percussion Instruments • All Baroque Instruments • All Ensembles • Voice Eligible music styles and periods: • Baroque (Period instruments) • Classical • Contemporary including performances of original compositions by contestants and all types of “covers”: transcriptions, paraphrases, cadenzas, and other. • Jazz, including improvisations, jingles, mixes, standards, and other. • Music from around the world • Opera and Lieder • Broadway and Light In the Final Round contestants compete within their respective age groups in the following Categories: • 10 and under • 11-14 • 15-18 • Adult (19 and older) 6. Repertory and Time Limits • Contestants are free to choose any repertory, for ALL Rounds; pick what represents you best as a musician. • If you wish to be considered for special Awards check the descriptions on the website and plan your repertory accordingly. Time limits • For all Preliminary Round Auditions Videos time limit is 10 min. • You will not be disqualified for shorter performances • If you choose one composition which is longer than 10 min., you will not be disqualified for overtime • Final Rounds - time limits and repertory requirements vary, please check specific requirements on website. 7. Competition Procedures and Formats SEC is held globally online. Video submissions are allowed only for the Preliminary Round. Final Round is held in the format of a LIVE Internet TV public Broadcast. Technical assistance, necessary technical preparations, consultations, guidance materials (printed, digital, video); individual remote tech check sessions with Broadcast Producers and Engineers, production of the Broadcast, Broadcast management are provided by the Sound Espressivo business partner, Virtual Concert Halls, a Virginia, USA based broadcasting and production company. Videos and Broadcasts of the Competition Rounds are property of Sound Espressivo and Virtual Concert Halls which retain full control of the copyrights. 8. Adjudication process Each Preliminary Audition video is adjudicated by one member of the SEC Judges’ Panel. SEC Judges may provide written comments for video submissions (available upon request) Final Rounds are adjudicated by the Judges Panel consisting of several members. Judges will provide on-air artistic feedback to each contestant immediately after the performance. All decisions by SEC Judges are final and may not be disputed. All decisions by companies-sponsors of Prizes and Awards are made by the respective companies’ representatives and are final. 9. Prizes and Awards • Each Contestants will receive Judges' comments (written for video submissions, live onscreen for live performances) • Certificate of Participation. Laureates. Up to 6 (Six) Laureates will be chosen by the Judges Panel in consultation with SEC Board. Each Laureate Award Package is valued at total of $8,500. Total Award Pool for Laureate Awards is valued at $51,000. Laureates are eligible to receive the following Awards pending Judges Panel decisions: • Laureate Recital Award. Valued at $5,000 each. Full management service from VCHS necessary to provide the Laureate with an opportunity to present a full solo recital on the VCHS Virtual Stage. Each Laureate Recital will be publicly broadcast on all VCHS platforms. Each Laureate Recital will be promoted through VCHS social networks, mailing lists, media. Each Laureate Recital and its promotion campaigns will be serviced by VCHS producers, graphic designers, copywriters, social media specialists, audio/video streaming engineers. Dates of Laureate Recitals TBD • Laureate Interview Award. Valued at $2,000 each. Interview Award provided by VCHS. The Award is aimed at helping Laureates launch their careers, promote their artistry, jump-start their presence as musicians of statute. Each Interview will be professionally scripted and services by VCHS production teams and conducted by VCHS Host in a format of a live broadcast. Each Interview is up to 60 minutes in length. • Laureate Coaching Award. Valued at $1,000 each. Full course on professional streaming/broadcasting technology and methods provided by VCHS. Valued at $1,000 each. • Laureate Profile Award. Valued at $500 each. Professionally designed Artistic Profile on SEC and VCHS websites Laureates are eligible to receive additional Awards sponsored by Companies (check the Prizes Page on SEC website) Winners. Up to 12 (Twelve) Winners will be selected by the Judges Panels to receive Winners Package Award. Judges Panels have a complete discression when selecting Winners. Each Winner Award Package is valued at $3,800. Total Award Pool for Winners Awards is valued at $45,600. Judges Panels may choose up to: One First Place Winner, One Second Place Winner, One Third Place Winner in each Age Category Multiple Honorable Mentions may be awarded. • Winners Concert Award. Valued at $2,000 each. Up to 12 Winners will be selected by the Judges Panel to receive this award. Each Winner is eligible to receive full management service from VCHS necessary to provide the Winner with an opportunity to perform in a group Winners Concert on the VCHS Virtual Stage. Time limit per performer is 20 minutes. • Winner Group Interview Award. Valued at $1,000 each. Group Interview Award is provided by VCHS. The Award is aimed at helping Winners launch their careers, promote their artistry, jump-start their presence as musicians of statute. Each Interview will be professionally scripted and services by VCHS production teams and conducted by VCHS Host in a format of a live broadcast. Each Interview is up to 60 minutes in length and will present no more than 4 Winners. • Winner Group Coaching Award. Valued at $500. Full course on professional streaming/broadcasting technology and methods provided by VCHS. In groups of no more than 6 Winners. • Winner Profile Award. Valued at $300 each. Professionally designed Artistic Profile in a group space on SEC website. Honorable Mentions. Up to 10 (Ten Awards) Valued at $1,000 each. Total Award Pool for these Honorable Mention Awards is up to 10, or up to $10,000. All Finalists who are awarded an Honorable Mention will receive an Honorable Mention Award Package consisting of: Designer Certificate Profile in an Honorable Mention group page on SEC website An invitation to perform in one multicast group concert on VCHS Virtual Stage (time onstage per performer is limited to 5 minutes) Additional Awards and Prizes All applicants are eligible to be selected to compete in Sound Espressivo Live Finals All Finalists, including Laureates, Winners, and Honorable Mentions are eligible and considered to receive scholarship Prizes to participate in masterclasses with distinguished artists around the world. All Finalists are eligible and considered to receive scholarship Prizes for participation in prestigious summer programs and festivals around the World. All Finalists are eligible and considered to receive scholarship Prizes for VCHS Broadcasting Seminar All Semi Finalists and Finalists receive a Designer Certificate reflecting their respective advancements. All Applicants receive Recognition Award sponsored by the iClassical Academy, regardless of their advancement. All Applicants are eligible to receive free passes to observe masterclasses with distinguished artists around the world. Prizes sponsored by international music companies. All Finalists will be considered by SEC sponsoring companies as candidates for the Prizes (check the list of Prizes on SEC website periodic updates as the Competition regularly accepts more eligible Prizes from companies around the World). Sponsored Prizes are awarded by the companies- sponsors' representatives independently from the Judges Panels. Not all Prizes may be awarded. Companies’ decisions are final. Cash Awards. All Finalists, Winners, and Laureates are eligible and will be considered as candidates to receive cash Awards. Specific amounts of each category of cash Awards will be determined and announced by the SEC Board as soon as practical, for each Season. Your family and friends can watch your live performance and cheer in real time. Your performance will be recorded, and your friends will be able to see it after that date. If you choose to submit a video, it will be premiered on our channels and available for replays. 10. Prizes sponsored by Partner Companies Sponsor Companies’ Awards are posted publicly on the SEC website, for each Season. The list of Partner Companies and the Prizes is updated on a regular basis, please check periodically the Prizes and Awards page on the website for the most up-to-date information. Partner-sponsored Prizes include possibilities to receive: • Performance engagements, Management services, • Scholarships for prestigious music festivals and summer programs Scholarships for masterclasses and courses • Coaching programs for musicians in career planning, social media for musicians, professional topics of musicians’ health and wellbeing • Scholarships for access to professional and educational resources Professional audio and video recording services • Professional web design services specific to musicians and artists Graphic design services for performing artists. • All Finalists will be considered by SEC sponsoring companies as candidates for the Prizes (check the list of Prizes on SEC website periodic updates as the Competition regularly accepts more eligible Prizes from companies around the World). Sponsored Prizes are awarded by the companies-sponsors' representatives independently from the Judges Panels. Not all Prizes may be awarded. Companies’ decisions are final. 11. Teachers’ and Educational Institutions’ recognition Sound Espressivo Competition Board understands the importance of support which students receive from their community, their schools, and especially from their teachers, for them to grow as musicians. As our token of appreciation for the hard and creative work which these people and organizations invest in the students' growth and future, we provide Sound Espressivo Contestants' School and Teacher with a featured space on the Sound Espressivo website. Each Teacher and School will receive a Profile created on the SEC website, including visual branding and individual Teacher’s pictures, we will also provide links for visitors to learn more about these distinguished educators and institutions. 12. Public Broadcasts. Tech requirements and release/consent forms All public broadcasts of the Competition are provided and managed by Virtual Concert Halls, an independent broadcasting and production company registered and headquartered in Vienna, Virginia, USA. VCHS will provide each Contestant with who performs on the public broadcasts of SEC events with instructional materials, individual preparation time and tech checks with streaming producers and staff, and all assistance available, to ensure an even field of the quality technical presentation for all SEC Contestants. Please refer to the “Technical Requirements” section on the website for more detailed information All Contestants, Guests, Teachers, Representatives, others who appear on the VCHS Broadcasts of the SEC events must sign release/consent forms, as required by the Virginia local, the US Federal, and the international laws and regulations governing public Internet TV broadcasts. Please note: Each Contestant’s checking of a BOX on the Application Form constitutes their consent and is in place of a separate signature of a separate form. To review the form, click here Virtual Concert Halls enjoys the “Allow Listed Broadcaster status from the Warner Music Group which provides VCHS broadcasts with protection against getting “muted,” taken down, or otherwise disfigured by WMG Copyrights Department through copyrights claims. VCHS earned the status through its strict adherence to copyrights and international regulations. All those who appear on the SEC public broadcasts provided by VCHS will enjoy the privileged status which comes with the responsibilities for Contestants and others to only perform music which they have the right to perform. 13. Privacy Policy and Consent/Release Form By submitting an Application to any competitions posted on Sound Espressivo website you consent to Privacy Policy and copyrights Release for public broadcasts and other forms of presentations associated with participation on SEC events. SEC Privacy Policy can be reviewed here Consent /Release form can be viewed here 14. Competition Board Sound Espressivo Board of Directors and Advisers is the governing body of the Competition. SEC Board Officers and Members: Anna Ouspenskaya, Secretary Antara Hebbar, Member, Youth Advisor Micah Yui, Member, Adviser Avguste Antonov, Member, Adviser Mellasenah Morris-Edwards, Member, Adviser Michal Szostak, Member, Adviser Section 15 Masters and Masterworks Competition 2023-24 Music for Youth! Call for Scores by living Composers. Performers who wish to present new music. Compositions for Piano, Violin, Cello Winners - Scores and Perfomers - will be presented at the Weill Recital Hall at Carnegie Hall Gala Concert on April 1, 2024 Performance at the Carnegie Hall is a Fully Sponsored opportunity, no performance fee required Application Deadline - October 15, 2023 Masters and Masterworks mission is to connect young musicians and living composers on a journey of discovery of Music for Youth! Music for Piano, Violin, or Cello, written for Young Performers. Violin and Cello pieces can be with or without accompaniment. No compositions for chamber ensembles. Compositions for Piano 4Hands are accepted. Awards Up to Three Scores will be selected for a performance at the Weill Recital Hall at Carnegie Hall on April 1, 2024, at the Laureates Gala (one composition for Piano, plus one for Violin, plus one for Cello). Up to Three Performers will be selected to perform these compositions at Carnegie Hall. All performances are fully sponsored by Sound Espressivo, Progressive Musicians, and Virtual Concert Halls. There is NO PERFORMANCE FEE required for Winners to perform at the Gala concert at Carnegie Hall (travel and accommodations in NY City are the responsibility of the Winner). In addition to the performance, all Winners (Composers and Performers) will receive: A Carnegie Hall Archival DIGITAL VIDEO of their performance (see Regulations for acceptable uses as per by Carnegie Hall rules) Medal Certificate Full color brochure (digital and printed) Complimentary ticket An Interview by Steve Robinson, a world-renowned producer of Photos Letters of recommendation and other support Professional Portfolio packets available upon request Judges’ decisions are final and cannot be disputed. Not all Prizes may be awarded. Application and Audition Process Preliminary Round Composers sumbit scores. One score per Application. Duration limit - 5 min Performers submit a video of any composition of their choice. Time limit - 10 min Results Composers: Up to 6 scores will be selected for the Final Round (two scores per each instrument) Scores will be published on the websites and made downloadable for Performers. Composers whose pieces were selected will join the Judges Panel as Artistic Advisors (non-voting members). Performers: Up to 12 Finalists will be selected for the Live Round (4 musicians per each instrument). The jury may select Alternates. Finalists will choose a piece which they wish to prepare for the Final Round, from the Finalist scores. Final Round Live performance by 12 Finalists in front of the Judges Panel, on a world-wide Internet TV Broadcast. The Judges Panel includes Composers of the pieces which were selected for the Final Round. Composers and Performers will have an opportunity to meet and get to know each other. Judges from aroud the world provide on-air commentary immediately after each performance. Finalists meet the Judges and can ask questions. Musicians' supporters can write comments which will be shown onscreen. Family and friends can watch and be part of your LIVE performance from anywhere in the world. Performer Finalists will receive Technical Preparation session with VCHS Broadcast Directors and Engineers, in preparation for the broadcast, at no additional cost. More about Broadcast technology for musicians here Age Limits Composers: no age limit Performers: 18 and under Application Fee Composers: $75 Performers: $100 Finals Live fee: $0 Winners Performance at Carnegie Hall fee: $0 Important DATES October 15, 2023 - Composers submit scores and Application Deadline November 05, 2023 - Scores selected for Finals are announced. November 15, 2023 - Performer Application Deadline (submit a video of any composition) December 5, 2023 - 12 Finalists are announced. February 1, 2024 - Registration deadline for the Performers Tech Preparation sessions for Performers February 19-23, 2024 - Tech Preparation sessions for Finalists (no additional fee required) February 24-26, 2024 - Final Round of the Competition APRIL 1, 2024 - Laureates Gala Concert at Weill recital Hall at Carnegie Hall

< Back Previous Stacey Stofferahn Next Gala at Weill Recital Hall at Carnegie Hall November 21, 2023 WATCH VIDEO Soprano Stacey Stofferahn’s professional credits include Tosca (West Bay Opera, Landlocked Opera), Senta in Der fliegende Holländer (Opera Siam, San Diego Symphony), Mimì in La Bohème (Heartland Opera, Modesto Opera), Minnie in La fanciulla del West (Apotheosis Opera), Musetta in La Bohème, Donna Elvira in Don Giovanni (WGO), Donna Anna in Don Giovanni (San Diego Symphony), Hanna in The Merry Widow (Lyric Opera San Diego), Erste Dame in Die Zauberflöte (LOKC), and the Contessa in Le nozze di Figaro (WBO). Additional roles include Micaëla (Carmen), Magda (La rondine), Violetta (La traviata), and Nedda (Pagliacci). Her concert appearances include Mozart’s Requiem with the Joplin Orchestra and the San Diego Symphony; Mahler Symphonies Nos. 2 and 8 with the San Diego Symphony and the Bozeman Symphony; Beethoven’s Ninth Symphony with the San Diego Symphony and the Joplin Orchestra; Brahms’ Ein deutsches Requiem with the Joplin Orchestra; and Beethoven’s Mass in C with Bulgaria International. Stacey holds a BA in Music Education from Augustana University; two MM degrees in Choral Conducting and Vocal Performance from UMKC; and a DMA in Vocal Performance from UMKC.

< Back Previous Danlei Wang Next Gala at Weill Recital Hall at Carnegie Hall November 24, 2025 WATCH VIDEO Danlei Wang is a composer and cellist based in Los Angeles, California. Her music has been performed by ensembles including the World Youth Wind Symphony, the EAMA Resident String Quartet, and musicians from Interlochen and Juilliard. She is the first prize winner of the Music Teachers’ Association of California Composers Today Competition and was named a semifinalist for the 2025 ASCAP Morton Gould Young Composers Award. Danlei’s work reflects a deep engagement with both instrumental color and emotional narrative, drawing on her experience as a performer. She currently serves as a Los Angeles Philharmonic Young Composition Fellow for the 2025–26 academic year.

< Back Scott E. Woodard Conductor Learn More Videos About "Be simple and profound." "Make music visible in your hands." - Ilya Musin The entire universe is musical by nature. I want to make a unique and defined contribution through my talents which makes the world more artistic for its inhabitants. I want to make music visible in my hands, causing others to feel the same passion and drive for music that I feel with each breath. I want to influence all generations to be an active part of the music that is constantly around them. With each new musical experience, whether it be the study of a score or the conducting of a symphony, I evolve. Scott E. Woodard is the music director of the West Virginia State Philharmonic Orchestra (formerly known as the Charleston Chamber Orchestra) and the Butler Philharmonic Orchestra. In the 2022-2023 season, he is a finalist for the position of Music Director with the West Virginia Symphony Orchestra. Woodard’s study and pursuit of conducting has taken him all over the world. Past podiums include: guest conductor of the Macon Symphony Orchestra (2006), associate conductor (2016-17) and cover conductor (2013-16) of the West Virginia Symphony Orchestra, finalist in the Pittsburgh Philharmonic Orchestra conductor search (2019). Future conducting opportunities include guest conducting with the Ohio Valley Symphony Orchestra (2021). Woodard was named First Prize winner of the International Conductor’s Workshop Competition (2006) and First Prize at the International Academy of Advanced Conducting in St. Petersburg, Russia, where he is now a full faculty member of the Academy. Celebrated guest artists with whom Dr. Woodard has worked include Victoria Fatu, Romanian violinist Gabriel Croitoru, Israeli tenor Michael Riskin, Yip Wai Chow, and Cristian Fatu. Dr. Woodard’s primary teachers were Dr. Leonid Korchmar of the Mariinsky Theatre and the St. Petersburg Conservatory and Dr. Oleg Proskurnya, with whom he studied the methods of the Leningrad School of Conducting developed and taught by Maestro Ilya Musin at the Leningrad Conservatory from 1932-1999.In 2005 and 2011, Woodard conducted orchestras of the St. Petersburg Philharmonic Society and the Mariinsky Theatre in concerts throughout the former Russian capitol. He is a member of the Board of Directors of the International Conductor’s Guild and Phi Mu Alpha Sinfonia fraternity. Woodard received the degrees of Bachelor of Arts and Master of Arts in Music Education from Marshall University and the degree of Doctor of Musical Arts from Boston University. As a teacher, Woodard’s career has spanned thirty-six years. His teaching positions included Wirt County High School, Ceredo-Kenova High School, and Winfield High School. Woodard served as the Director of Instrumental Music at Winfield High School from 1990 – 2006. The Winfield HS Band under his direction performed in master class sessions with the New York Philharmonic Orchestra and was the 2005 Honor Finalist Concert Band at the WV Music Educators Conference in Morgantown, WV. He is currently the Director of Instrumental Music at West Virginia State University in Institute, WV, where he conducts the West Virginia State Philharmonic Orchestra and teaches advanced conducting. Woodard lives in Scott Depot, WV with his wife Nafi, who is a family practice physician, and their children, Gabriel and Gabriella. He is available for guest conducting opportunities in the US and abroad. Previous Next

< Back Previous Dwight Stone Next Composer Gala at Weill Recital Hall at Carnegie Hall April 30, 2025 WATCH VIDEO Dwight Stone is a composer, pianist, and conductor based in the Bay Area of California. His diverse catalog spans vocal, choral, brass, orchestral, guitar, and piano works. Rooted in tonality yet enriched with polychords and aesthetic dissonance, Stone’s music explores harmonies that move beyond the mainstream. He is a multiple prizewinner in the Music Teachers’ Association of California (MTAC) Composition Competition and the United States Open Music Competition (USOMC), recognized for original piano compositions, improvisation, and choral works. An advocate for live performance, Stone founded two thriving concert series—St. Paul’s Concert Series in Walnut Creek and Trinity Concert Series in Pleasanton—bringing artists and audiences together in vibrant community settings. The StoneMusique Catalog includes more than 60 piano works, three dozen choral compositions, and pieces for brass, orchestra, chamber ensembles, and solo voice. His commissioned works include Whither Thou Goest (piano solo), An Irish Blessing (SSAA a cappella), Awake! Awake! (TTBB, 2 French horns, piano)—winner of the Jewish Music Competition of Los Angeles—and Psalm 100—Make a Joyful Noise! (SATB choir, oboe, organ, timpani). His compositions have marked significant cultural events, such as And On That Day (Interfaith Council of Contra Costa County, 2015 World Peace Interfaith Celebration) and Love Is! (gospel-pop, premiered at the 2017 Martin Luther King, Jr. Day Interfaith Celebration in Walnut Creek). Stone’s CD Amsterdam (flute and piano) with flutist Nika Rejto was featured at the Greater San Francisco International Flute Festival and the Festival of New American Music (FENAM) in Sacramento. He has performed internationally in New Zealand, Croatia, Austria, and France, and locally as a soloist, accompanist, and member of ensembles including The Touchstones (popular music) and The CoolTones Big Band (jazz). Dwight Stone resides in Walnut Creek and serves as Minister of Music and Worship at Trinity Lutheran Church in Pleasanton. His compositions, arrangements, and performances continue to inspire singers, congregations, and audiences alike. stonemusique.com

KDF Academy Music in a safe and friendly environment The well being of our students is as important to us as the quality of the music they learn. Practice, Patience and Performance are at the heart of our teaching. Our KDF academy music students will learn the modern methods for reading and playing music and be made aware of their vast heritage as African musicians, blending the past and the future together Kasibo Development Foundation Uganda Learn more KDF Micro-Academies One of the most exciting KDF projects planned for 2022 is creating KDF Micro-Academies in Kachomo. With permission from the Kachomo village leaders students from our academy will create KDF Micro-agriculture-academies and Micro-textile-academies to demonstrate their new skills and technologies. This will be of great benefit to the students and the local communities. Modern textile and agricultural developments are essential in today's world. We will donate each micro-academy to the villagers as our students travel through Kachomo returning with new information as time passes. Planning for the Future The implementation of Further Educational Institutes in ‘Vocational Studies’, include ‘Music’, ‘Agriculture’, 'Textiles' and ‘Sport’ that will work alongside other national and international universities and colleges, are a long term goal for KDF to help it become a beacon of success for the region.

Meet our Hosts Anna Ouspenskaya, Margaret Pinder Russian born American concert pianist, chamber musician, educator, musicians' advocate, lecturer, adjudicator, writer, music programs host Margaret Pinder is a Cambridge-educated international corporate lawyer She taught at Harvard University before moving back to the UK where she now works for Polyphony Arts music management agency. She is Chair of the Hull Philharmonic Society and plays principal double bass. As Mayor of Beverley she used her office to provide wider access to music for local children. Margaret can be found performing on the UK stand up circuit.

< Back Theodore Kuchar Conductor Learn More Videos About Theodore Kuchar is an American and Ukrainian conductor of classical music and a violist. ... a conducting style similar to that of Toscanini" Fanfare Magazine The multiple award-winning conductor Theodore Kuchar is the most recorded conductor of his generation and appears on over 130 compact discs for the Naxos, Brilliant Classics, Ondine, Marco Polo and Toccata Classics labels. He has served as the Artistic Director and Principal Conductor of two of Europe’s leading orchestras, the National Symphony Orchestra of Ukraine and the Janacek Philharmonic Orchestra (formerly the Czech Radio Orchestra) while also serving as the Principal Conductor of the Slovak National Symphony Orchestra and Slovak Sinfonietta. In the 2011-12 season he commenced his tenure as the Artistic Director and Principal Conductor of the Orquesta Sinfonica de Venezuela and prior to that served as the Music Director and Principal Conductor of the Queensland Philharmonic Orchestra in Brisbane, Australia. His current positions include: Principal Conductor of the Lviv National Philharmonic Orchestra of Ukraine since 2022. Resident Conductor at the Kent/Blossom Music Festival since 2004. Artistic Director of the Nevada Chamber Music Festival since 2005. Chief Conductor of the Janáček Philharmonic Orchestra from 2005 to 2012. Artistic Director of the Venezuela Symphony Orchestra since 2011. Professor of Orchestral Conducting at Houghton University since 2022. Maestro Kuchar was born in 1963 in New York City. He started to learn to play the violin at ten years of age, later switching to viola. He graduated from the Cleveland Institute of Music, where his viola instructor was Robert Vernon, in 1982. In 1980, he was awarded a Paul Fromm Fellowship from the Boston Symphony Orchestra to study at Tanglewood Music Center. He was the principal violist of orchestras in Cleveland, Helsinki, and Cape Town. In 1987 he became music director of the Queensland Philharmonic Orchestra in Australia, a post that he held until 1993. Between 1990 and 2006, he served as the first artistic director of the Australian Festival of Chamber Music in Townsville; a Theodore Kuchar Scholarship for Excellence in Music was established there after his departure. He was also music director of the West Australian Ballet in Perth until 1993. In 1992 Kuchar was appointed Principal Guest Conductor of the Ukrainian State Symphony Orchestra, which changed its name to National Symphony Orchestra of Ukraine in 1994. In that year he became artistic director and Principal Conductor of the Orchestra. After his contract with the Orchestra ended in 2000, he was awarded the title of Conductor Laureate for Life. Under Kuchar's direction, the National Symphony Orchestra of Ukraine became the most frequently recorded orchestra of the former Soviet Union, with over 60 compact discs under Naxos Records and its Marco Polo label. Theodore Kuchar's complete discography is numbered over 100 with over 90 records under Naxos Records. Between 1996 and 2006, he was music director and conductor of the Boulder Philharmonic Orchestra. He founded the Sinfonia of Colorado, a chamber ensemble, in 1997; it was disbanded in 2002. He was also professor and director of orchestral studies at the College of Music of the University of Colorado at Boulder between 1996 and 2001. From 2002 to 2016 he was music director and conductor of the Fresno Philharmonic Orchestra. From 2003 to 2018 he was music director and conductor of the Reno Chamber Orchestra. Selected discography Borys Lyatoshynsky . Symphonies Nos. 2 and 3. Ukrainian State Symphony Orchestra; Theodore Kuchar, conductor. Naxos/Marco Polo, 1994. The Australian Broadcasting Corporation gave the record an award for "Best International Recording of the Year" in 1994. [6] [12] Sergei Prokofiev . Cinderella Suites Nos. 1-3, Scythian Suite "On the Dnieper". Ukrainian State Symphony Orchestra; Theodore Kuchar, conductor. Naxos, 1994. Vasily Kalinnikov . Symphonies Nos. 1 and 2 . National Symphony Orchestra of Ukraine; Theodore Kuchar, conductor. Naxos, 1995. Sergei Prokofiev . Symphonies Nos. 3 and 7 . National Symphony Orchestra of Ukraine; Theodore Kuchar, conductor. Naxos, 1995. Sergei Prokofiev. Symphony No. 5 ; The Year 1941 (Symphonic Suite) . National Symphony Orchestra of Ukraine; Theodore Kuchar, conductor. Naxos, 1995. Sergei Prokofiev. Symphony No. 6, Op. 111 ; Waltzes, Op. 110 . National Symphony Orchestra of Ukraine; Theodore Kuchar, conductor. Naxos, 1995. Sergei Prokofiev. Symphonies No. 1 "Classical" ; No. 2 ; Dreams, Op. 6; Autumnal Sketch, Op. 8. National Symphony Orchestra of Ukraine; Theodore Kuchar, conductor. Naxos, 1996. Benjamin Lees . Symphony No. 4 "Memorial Candles." Kimball Wheeler, mezzo-soprano; James Buswell, violin; National Symphony Orchestra of Ukraine; Theodore Kuchar, conductor. Naxos, 1998. Walter Piston . Violin Concertos Nos. 1 and 2 ; Fantasia for Violin and Orchestra . James Buswell, violin; National Symphony Orchestra of Ukraine; Theodore Kuchar, conductor. Naxos, 1998. This was named a "Record of the Year" for 1999 by Gramophone in January 2000. [6] [24] Sergei Prokofiev. Symphony No. 4, Op. 112 ; The Prodigal Son (Suite) . National Symphony Orchestra of Ukraine; Theodore Kuchar, conductor. Naxos, 1999. George Antheil . Symphony No. 4, Symphony No. 6, McKonkey's Ferry. National Symphony Orchestra of Ukraine; Theodore Kuchar, conductor. Naxos, 2000. Paul Creston . Symphonies Nos. 1–3. National Symphony Orchestra of Ukraine; Theodore Kuchar, conductor. Naxos, 2000. Morton Gould . American Ballads; Foster Gallery; American Salute. National Symphony Orchestra of Ukraine; Theodore Kuchar, conductor. Naxos, 2000. Richard Toensing . Flute Concertos; Of Angels and Shepherds. For the flute concertos: Leone Buyse, flute; National Symphony of Ukraine; Theodore Kuchar, conductor. CRI, 2001. Roy Harris . Symphonies Nos. 7 and 9. National Symphony Orchestra of Ukraine; Theodore Kuchar, conductor. Naxos, 2002. Modest Mussorgsky . Pictures at an Exhibition ; Night on the Bare Mountain . National Symphony Orchestra of Ukraine; Theodore Kuchar, conductor. Naxos, 2003. George Whitefield Chadwick . Symphony No. 2; Symphonic Sketches . National Symphony Orchestra of Ukraine; Theodore Kuchar, conductor. Naxos, 2005. Dmitri Shostakovich . Jazz & Ballet Suites • Film Music . National Symphony Orchestra of Ukraine; Theodore Kuchar, conductor. Brilliant Classics, 2005. Bedřich Smetana . Má Vlast ; Complete Orchestral Works. Janáček Philharmonic Orchestra; Theodore Kuchar, conductor. Brilliant Classics, 2007. Previous Next

Learn about the competition categories of Awards for Sound Espressivo, the online LIVE streaming competition for classical musicians of all ages. Contestants and judges focus on unique artistry of every performer, awarding prizes offered by music management companies. SEC-2021 does not offer cash awards Where will you shine? 9 Special Artistic Awards Program Prepare a collection of music with a message and express yourself through dedicating to a theme! Learn more Miniature Present a small but highly impressive piece of music in the most magical way! Learn more Innovative Find ways to express music that's never been heard before and charms everyone away! Learn more Swift Showoff the incredible speeds and blow us away with your crisp playing! Learn more Virtuosity Impress with your technique and astonish with your thrilling spark! Learn more Lyrical Allure with your expression and emotional delivery of the music! Learn more Ambassador Conquer the attention of your audience by embodying the role of an advocate of music by sharing your passion in creative ways. Learn more Profound Reveal the depth and hidden meanings with your well thought-out expression! Learn more Academic Deliver the most genuine performance that would embody the composer and take us to their world! Learn more Sign Up

Learn how to apply, what to expect, when are the dealines, who can compete, what to play, how to submit a video, categories, age groups, requirements Welcome to Sound Espressivo 2021 Prelims are here! Choose Your Date April 24-25 May 29-30 June 26-27 July 24-25 August 28-29 September 25-26 October 23-24 November 27-28 (check deadlines below) Age Groups Under 10 11-14 15-18 19-25 Adult (26+) Time limit for Prelims - 10 min Repertory - free choice Medium Piano S tring Instruments Wind Instruments Guitar Harp Percussion Instruments Baroque Instruments Chamber Groups and Ensembles Voice Dance Traditional Instruments Sign Up Choose Live Performance or Pre-recorded video submission Competitive or Non-competitive Artistic Category Style/period: Baroque, Classical, Contemporary , Jazz Details Sound Espressivo Semi-Final and Final Rounds: December 2021 Repertory - free choice Time limit - 10 minutes More details below DATES AND DEADLINES Application deadline April 15 May 1 June 1 July 1 August 1 September 1 October 1 November 1 Performance date April 24-25 May 29-30 June 26-27 July 24-25 August 28-29 September 25-26 October 23-24 November 27-28 MEDIUM Instruments Piano All S tring Instruments All Wind Instruments Guitar Harp All Percussion Instruments All Baroque Instruments Other performance medium Chamber Groups and Ensembles Voice Dance Traditional Instruments CHOOSE LIVE PERFORMANCE Application fee: $80 What is it? You will perform live through Internet-TV public broadcast VCHS Producers will help you with your tech You don't need to download or learn any software This is not Zoom, you will look and sound great! What do I get? Your live performance will be professionally recorded by broadcasting engineers Recording of your performance will be available on SEC YouTube and other channels for replays You can request a copy of your individual performance video ($75 fee applies) Group instruction on streaming live performance Individual tech check CHOOSE VIDEO SUBMISSION OF YOUR RECORDING Application fee: $55 How do I submit? You can upload an MP4 video file or You can submit a YouTube link What do I get? You video will be premiered on YouTube, website, Facebook, and other channels Your video will be featured in a video Gallery on SEC website Your video will be available for replays after the Premiere You can still choose "Competitive" and be considered for Sound Espressivo Semifinals CHOOSE COMPETITIVE What to do? Apply to receive judges' comments (written for video submissions, or live if you choose to perform live) Apply to be considered for Sound Espressivo Competition Semifinals in December 2021 What do I get? Certificate Judges' comments (written for video submissions; live onscreen for live performances) May be selected to compete in Sound Espressivo Semifinals in December 2021 Winners of Prelims are awarded full scholarships to participate in masterclasses with Judges Winners of Prelims receive full scholarships for VCHS Broadcasting Seminar CHOOSE NON-COMPETITIVE What is it? A low-pressure opportunity to share your art and talent You will not be judged What do I get? Certificate Your family and friends can watch your live performance and cheer in real time Your performance will be recorded and your friends will be able to see it after the date You will receive a free pass to observe masterclasses with Judges If you choose to submit a video, it will be premiered on our channels and available for replays REPERTORY AND TIME LIMITS Repertory You are free to choose any repertory, pick what represents you best as a musician! Check below for Artistic Categories. If you do choose one, then pick your pieces to reflect that Category Time limits For all Prelims time limit is 10 min. Same limit for videos and live performances You will not be disqualified for shorter performances If you choose one composition which is longer than 10 min., you will not be disqualified for overtime Semi-Final and Final Rounds- no time limit AGE GROUPS AND ARTISTIC CATEGORIES Age Groups Under 10 11-14 15-18 19-25 Adult (26+) Artistic Categories You can choose one Category, or None Program Virtuosity Miniature Lyrical Profound Swift Innovative Academic Ambassador None MUSIC PERIODS AND STYLES Choose where you thrive! Classical through mid-20th Century Baroque (Period instruments) Contemporary Jazz Music from around the world For Singers Opera Broadway Song