Apply col ORCHESTRA connecting Soloists and Orchestras around the W orld Applications ACCEPTED for performing in 2025-26 and 2026-27 concert seasons Apply Download press kit Watch colORCHESTRA Concerts Judges Judges Sound Espressivo is thrilled to announce our 3rd season of the colORCHESTRA Open Auditions Presented in Partnership with These uniquely designed Auditions are open to musicians of all ages who are available for soloist engagements within the 2023-24 and 2024-25 concert seasons. Selected artists will be awarded an appearance opportunity to perform solo with esteemed professional orchestras from around the world. Composers are invited to submit scores for consideration. This two-tiered audition has no accompanying and no performance time limit requirements, is readily accessible by video submissions, and there is no time limit imposed on the selections that competitors choose to present—we want YOU to show us what you feel you do BEST! Audition for Upcoming Performance Dates with Orchestras Worldwide and at Carnegie Hall, and for recording opportunities with orchestras for Album publications October 1-20, 2025 - Concert Season at Weill Recital Hall at Carnegie Hall and Recordings with Orchestra Manhattan, Lehner Quartet. Soloists, Composers, Ensembles. January 31, 2026 - February 3, 2026. Concert Season at Weill Recital Hall at Carnegie Hall and Recordings with Orchestra Manhattan, Lehner Quartet. Soloists, Composers, Ensembles. March 13-16, 2026 - colORCHESTRA for performance and recordings opportunities with orchestras worldwide. Soloists, Composers. May 8-11, 2026 - Concert Season at Weill Recital Hall at Carnegie Hall and Recordings with Orchestra Manhattan, Lehner Quartet. Soloists, Composers, Ensembles. June 13-16, 2026 - colORCHESTRA for performance and recordings opportunities with orchestras worldwide. Soloists, Composers. Audition for Upcoming Concerto Performance Dates Regulations Royal Philharmonic Orchestra Selected Soloists will be offered a PAY-TO-PLAY opportunity to benefit their musicianship and career through a RECORDING with the Royal Philharmonic Orchestra, one of the world’s most prestigious ensembles. Learn More Apply Orquesta Filarmónica Municipal de Guayaquil Important dates: Application deadline - see dates on the website. October 2024, January 2025 - Live Auditions Finals. Broadcast on video and social platforms. Meet the Judges and the Conductors. Streaming technology seminar in preparation for Live Audition - prior to performing LIVE. ~~~~~~~~~~~ No age restrictions. INSTRUMENTAL REPERTORY ONLY – No singers. Learn More Apply Butler Philharmonic Orchestra Application deadlines and Live Auditions dates - see announcements on the website. Broadcast on video and social platforms. Meet the Judges and the Conductors. Streaming technology seminar in preparation for Live Audition - prior to performing LIVE. Concert Dates in 2025-26 Concert Season: March 7, 2026. Soloists - Kate Lee and Calliope Smith Concert Dates in 2026-27 Concert Season: March, 2027 Rehearsals with the Butler Philharmonic Orchestra will be scheduled 3 days prior to the concert date. The concerts are Broadcast Live by Virtual Concert Halls on various public channels on YouTube, Vimeo, Facebook, LinkedIn, Twitter, Twitch, among other platforms. Video of the concert will be available for playbacks on the channels. Soloists will participate in interviews for media and other activities associated with the event No age restrictions. Any instrumental Concerto, a single movement, or Aria accepted. Any instrumental Concerto, a single movement, or Aria accepted. Learn More Apply Camerata de Coahuila Selected Soloists will be presented at the colORCHESTRA concerts with the Camerata de Coahuila at the Teatro Isauro Martinez in Torreon, Mexico, under the baton of the Guest Conductor Maestro Gevorg Sargsyan. This project combines a public concert and recording for an Album release on Spotify, Apple, Amazon, distributed by the CiMA label Application deadlines and Live Auditions dates - see announcements on the website. Broadcast on video and social platforms. Meet the Judges and the Conductors on your Live Audition. Streaming technology seminar in preparation for Live Audition - prior to performing LIVE. Concert dates in 2026-27 Season: December 4, 2026 Recorded LIVE from the concert Rehearsals with the Camerata de Coahuila will be scheduled 3 days prior to the concert date. The concerts are Broadcast Live by Virtual Concert Halls on public channels on YouTube, Vimeo, Facebook, LinkedIn, Twitter, Twitch, among other platforms. Video of the concert will be available for playbacks on the channels. Soloists will participate in interviews for media and other activities associated with the event. No age restrictions. See more for repertory specifics and additional details Learn More Apply Cairo Opera Orchestra at Cairo Opera House in Cairo, Egypt Important dates: Application deadline - see dates on the website. October 2024, January 2025 - Live Auditions Finals. Broadcast on video and social platforms. Meet the Judges and the Conductors. Streaming technology seminar in preparation for Live Audition - prior to performing LIVE. Concert Dates for 2024-25 and 2025-26 seasons - TBD ~~~~~~~~~~~ Learn More Regulations Apply Lviv National Philharmonic Orchestra of Ukraine Important dates: Application deadline - see dates on the website. October 2024, January 2025 - Live Auditions Finals. Broadcast on video and social platforms. Meet the Judges and the Conductors. Streaming technology seminar in preparation for Live Audition - prior to performing LIVE. Broadcast on video and social platforms. Meet the Judges and the Music Director Theodore Kuchar. Concert dates available in the 2024-25 and 2025-26 concert seasons. Learn More Apply

< Back Previous Mason Ishida Next Gala at Weill Recital Hall at Carnegie Hall April 28, 2026 WATCH VIDEO Mason Kaneto Ishida is a composer and pianist from Northern Virginia and a graduate of the New England Conservatory of Music, where he studied composition with John Mallia. Mason also attended the New York Summer Music Festival for three summers from 2013 to 2015, where he studied piano performance and sang in choir alongside faculty from some of the country’s leading conservatories. With over twenty years of piano study and performance experience, Mason draws inspiration from Beethoven, Scriabin, Bartók, and Shostakovich, as well as the creative energy of Nirvana and Radiohead — a combination that shapes his distinctive voice: emotionally direct, rhythmically fearless, and deeply committed to craft. His works span chamber ensembles, orchestra, and solo piano. In 2025, Mason premiered "An Exaggeration" for Chamber Orchestra at Weill Recital Hall, Carnegie Hall as part of the Sound Espressivo Gala Laureate Concert. That work has since earned remarkable recognition on the international stage: Gold Award at the Global Young Musicians Competition in Gdańsk, Poland; Gold Prize in Composition, Gold Prize in Own Composition, Gold Prize in 20th and 21st Century Music; Special Award — Artist of the Season at the Classical Stars International Music Competition; Gold in Composition for his orchestral "Suite" and "String Quartet No. 2" at the Mozart International Music Competition. His "String Quartet No. 2" also received a Platinum Award in the composer category at the Fenix International Music Competition in Gdańsk. Mason is currently a finalist in the World’s Best Musician Competition with "An Exaggeration" for Symphony Orchestra. On April 28, 2026, his solo piano work "Dance of Frustration" is performed by pianist Joanna Chow as part of the Sound Espressivo Gala Laureate Concert. Both artists are based in Northern Virginia, and their collaboration reflects a shared enthusiasm for bringing new compositional voices to the concert stage. Mason’s approach balances tradition with exploration — music shaped by emotion, craft, and curiosity. He plans to pursue graduate study in composition and welcomes opportunities for commissions, future performances, and scoring for video games and indie films. He is also actively seeking opportunities to teach piano in supportive studio and academy settings.

< Back Previous Sonya Lifschitz Next WATCH VIDEO Dr. Sonya Lifschitz is an accomplished Ukrainian-Australian performer, educator, researcher, and collaborator of international repute, whose creative practice spans solo and chamber-music performance, curating, producing and presenting new work, directing cross-disciplinary and multi-media collaborations, and actively participating in current cultural debate and arts advocacy. Praised by the New York Times and The Age for her “dynamic” and “powerful” performances, and by the Woodstock Times for her “miraculous keyboard technique and musicianship”, Sonya Lifschitz made her debut with the Melbourne Symphony Orchestra at age 18 and is internationally recognised as one of Australia’s most innovative and fiercely creative musical voices. In 2016-2018 seasons, Sonya made a critically-acclaimed solo debut in one of New York’s most prestigious concert venues, the BargeMusic, with other highlights including performances at the Melbourne (MIAF), Adelaide (AF), Brisbane (BIAF), Canberra (CIMF), Darwin, Metropolis and MONAFOMA Festivals; and venues such as the Melbourne Recital Centre (Melbourne), City Recital Hall (Sydney), QPAC Concert Hall (Brisbane), National Gallery of Australia (Canberra), Elder Hall (Adelaide) and Detroit Institute of Art (Detroit, USA). Her recent performance of the world premiere ‘Stalin’s Piano’ by Robert Davidson at the Canberra International Music Festival received a 4.5 stars review in the Limelight Magazine, and a recent performance of Larry Sitsky’s piano trio, Sandakan, commissioned by her contemporary music ensemble Press, Play, received the Melbourne Recital Centre’s Contemporary Masters Award for the best performance of new work. Sonya’s performances are regularly broadcast by ABC Classic FM, ABC Radio National, and 3MBS and she has appeared on radio in interviews with Andrew Ford, Margaret Throsby and Alice Keath. Sonya is increasingly active as a music curator and director, creating innovative, cross-disciplinary, multimedia works that re-contextualise the classical canon and push the boundaries of conventional concert practices. In 2015 she directed and performed a critically-acclaimed multi-disciplinary project (Canzone) for the Melbourne Festival, which integrated performance, visual art, and animated projections to re-imagine music of Claudio Monteverdi through contemporary lens. In 2016, as a Fellow at the Australian National Academy of Music, Sonya directed and presented a fully staged, multi-space performance of all four books of George Crumb’s Makrokosmos in collaboration with Australia’s leading theatre and lighting design artists as well as the students and faculty of the Academy. In 2017, she has premiered a multimedia work for piano and video (Stalin’s Piano) at the National Gallery of Australia, integrating archival footage of iconic creative and political figures, virtuoso piano music and spoken word. A Fulbright Scholar, Sonya studied under the legendary pianist-conductor Leon Fleisher at the Peabody Conservatory of Music (John Hopkins University, USA). Currently, Sonya holds a Lecturer in Music Performance position at UNSW and has previously been a Lecturer in Performance (Piano) and pianist in the Ensemble-in-Residence at the ANU School of Music. Sonya is a regular presenter on ABC Classic FM radio.

< Back Glen Cortese Conductor Learn More Videos About GLEN CORTESE begins his first season as artistic director of the Schenectady Symphony Orchestra and his fourteenth season as artistic director of the Western New York Chamber. He just completed twelve seasons as music director of the Greeley Philharmonic Orchestra and was named music director emeritus of the Oregon Mozart Players after serving as artistic director for nine seasons. His recent guest engagements have included the Eugene Opera, Madison Lyric Stage, The Three Tenors Concert in Tirana Albania to celebrate the tenth anniversary of the independence of Kososvo, RTSH Radio Orchestra (Albania) Emerald City Opera, Opera Fort Collins, Wolftrap Opera, The Charleston Symphony, the Sapporo Festival Orchestra, the Slovak Radio Orchestra the Sofia Philharmonic, the Hong Kong Sinfonietta, the Mexico City Philharmonic, Colorado Springs Philharmonic, the Paducah Symphony Orchestra, the Lafayette Symphony, the Billings Symphony, the Lyric Opera of Cleveland, and the Annapolis Symphony. He was resident conductor of the Florida Philharmonic for the 2001–2002 season and completed twelve seasons at the Manhattan School of Music where he was principal conductor from 1988 to 2000. He has appeared as guest conductor both in the United States and abroad with the Symphonies of New Jersey, Florida Philharmonic, Austin, Mexico City Philharmonic, North Carolina, Colorado Springs, Bangor, Meridian, Queens, New Amsterdam, The New Orleans Philharmonic, the International Chamber Orchestra, the Belarus Sate Philharmonic, Sofia Philharmonic National Romanian Radio Orchestra, Noorhollands Philharmonisch, Orquesta Sinfonica Carlos Chavez, San Francisco Conservatory, Cleveland Institute, and the Altenburg Landeskappele Orchestra. Mr. Cortese covered as assistant conductor to the New York Philharmonic in 1990–92 for Zubin Mehta, Leonard Slatkin, Charles Dutoit, Yuri Temirikanov, Erich Leinsdorf, Zdenek Macal and Cristof Perick. In July of 1993, he was invited by Kurt Masur to guest conduct a reading with the New York Philharmonic at Carnegie Hall. In August of 1994, Mr. Cortese began his tenure as music director of the East-West International Symphony Orchestra in Altenburg, Germany, a position that he held for seven years. He conducted over fifty concerts and two operas in seven seasons with the orchestra, made up of advanced conservatory students from ten different nations. His work at the Manhattan School of Music included the school’s debut performances at Carnegie Hall, Lincoln Center and City Center as well as the MSM Orchestra’s first performance on “Live from Lincoln Center”. He received the honor of “Recording of the Month” in STEREOPHILE magazine for his release of Mahler’s Sixth Symphony with the Manhattan School on Titanic Records. His recording of Mahler’s Third Symphony with the Manhattan School was called “a remarkable achievement” in the American Record Guide. This season alone he will conduct five stage works, Beatirce and Benedict, Candide, Little Women, West Side Story and Othello. In 2011 he conducted the world premiere of John Musto’s new opera, “The Inspector” at the Wolftrap Opera, and his other opera credits include guest conductor with the Eugene Opera, Florida Grand Opera, New York City Opera, the Cleveland Lyric Opera, the Maryland Opera Studio, the Bowdoin Summer Music Festival Opera Theater, the Manhattan School Opera Theater, and the East West International Opera Theater. Mr. Cortese’s credits in the world of dance include performances with the Connecticut Ballet, Joffrey II Ballet, the Elisa Monte Dance Company and the SUNY Purchase Dance Corps. He appeared regularly for five years as conductor for the Erick Hawkins Dance Company at Lincoln Center, the Kennedy Center, the Joyce Theatre and on national tours. He has conducted at numerous summer festivals including Chautauqua, Bowdoin Summer Music Festival, American Dance Festival, The New York Music Institute, Sewanee Music Festival and the Brevard Music Center. He has conducted performances of large collaborative projects including chorus, orchestra and dance at Carnegie Hall, as well as having performed in virtually every major performance venue in New York. His work in education is extensive, conducting community outreach programs, educational concerts and children's videos on classical music. Mr. Cortese has conducted concerti and solo works with many renowned performers, including Ransom Wilson, Sharon Isbin, Ruth Laredo, Nathaniel Rosen, Glenn Dicterow, Silvia McNair, Mignon Dunn and Dawn Upshaw. A strong advocate of new music, he has conducted over 150 premieres and has worked in direct collaboration with composers such as Milton Babbitt, Elliott Carter, John Corigliano, George Crumb, Richard Danielpour, Peter Maxwell Davies, Lukas Foss, Hans Werner Henze, and Ralph Shapey. In June of 1993 through 2000, he was the eight-time recipient of the ASCAP New and Adventuresome Programming Award for his work at the Manhattan School. Mr. Cortese is also an accomplished composer and winner of numerous awards including the Charles Ives Scholarship from the American Academy of Arts and Letters, a two time winner of the Joseph E. Bearns Prize, and a CAPS Grant from the New York Council on the Arts. He is also the recipient of the Arthur Judson Foundation Award for a Young American Conductor and his discography includes recordings on the Bridge, Titanic, Newport Classics, Phoenix, Owl, CMS and Le Crepuscule du Disc labels. Previous Next

< Back Previous Paolo Scibilia Next Gala at Weill Recital Hall at Carnegie Hall November 24, 2024 WATCH VIDEO As Artistic Director of several leading Italian concert series—including A.Gi.Mus Naples, Società dei Concerti di Cosenza, and the International Festival in Sorrento (Sorrento Classica)—he plays a central role in presenting and promoting prestigious orchestras and international artists. He has performed in more than 500 concerts as a conductor and chamber pianist, collaborating with ensembles and institutions such as Moldova Radio–TV, Tirana Radio–TV, the Moscow Conservatory, and the Chernivtsi Philharmonic in Ukraine. An accomplished accompanist, he has worked with renowned opera singers including Vincenzo Costanzo (First Prize, Lirica 2014), Antonia Emanuela Maria Palazzo, and Federico Parisi (of the celebrated “Four Tenors”). He is also a frequent host of masterclasses on the Scuola Pianistica Napoletana, contributing to the preservation and promotion of this important musical tradition.

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Moreno < Back Ayla Moreno Jan 30 at 10:00am EST (10 and under/11-14) Waltz in A-flat major, Op.42 (Chopin, Frédéric) Ayla started playing the piano and the violin at the age of 3, and is currently studying piano, with Dr. Svetlana Arakelova and violin, with Dr. Laura Tagawa. She has been invited to perform both on the violin and piano at various venues, including the Tucson Annual Japanese Festival, the Tucson Folk Festival, and more. Her first appearance with an orchestra as a soloist was when she was 6 years old, playing with the Tucson Civic Orchestra performing the Berkovich piano concerto, and then, she also performed the Mozart piano concerto with the Southern Arizona Symphony Orchestra. In the summer of 2019, she performed the Mozart Piano Concerto with Tucson Repertory Orchestra during their tour in Japan. Ayla won her first 1st prize at the Merit Scholarship competition by the Tucson Music Teachers Association when she was 5. Since then, she has won many top prizes at local and international competitions such as 1st place at the Young Artists Competition by the Civic Orchestra, 1st place at the Youth Concerto Competition by South Arizona Symphony Orchestra, 1st place with the judge’s distinction at American Protégé international competition and 2nd place at the Bay Area piano competition. During 2020-2021, she earned 2nd place at the Arizona young artist competition, 2nd place at the Paderewski international piano concerto, gold medal at the London young musician competition, and 2nd place at the Krystian Tkaczewski international piano competition in Poland for piano. She earned 2nd place at the Arizona String teachers association and 1st place and the Most exceptional performer award at the Charleston international music competition for violin. Ayla attended the Interlochen Arts camp, Colburn Piano Seminar, Philadelphia International Music Festival, and HeifetzPEG. Other than music, she enjoys dancing (she just performed in the Southwest Nutcracker), painting, Math and Science. Previous Next

< Back Previous Alicia Arriaza Next Gala at Weill Recital Hall at Carnegie Hall June 28, 2026 WATCH VIDEO Born in Seville in 2012 into a family of musicians, cellist Alicia Arriaza began her studies at the age of five. Deeply passionate about the cello, she has participated in masterclasses with renowned artists including Frans Helmerson, J. Peter Maintz, Gustav Rivinius, Miklós Perényi, Christian-Pierre La Marca, Valentin Radutiu, Paolo Bonomini, and Adrian Brendel. Despite her young age, Alicia has already received numerous awards, including First Prize at the 29th “Visitación Magarzo” Soloists Competition, Second Prize at the David Geringas International Cello Competition (Klaipėda, 2025), Third Prize and the Junior Talent Award at the 8th Dotzauer International Cello Competition, and Third Prize at the David Popper International Cello Competition, among others. Since the age of ten, Alicia has studied with Carmen María Elena. She is also a student of the Barenboim-Said Foundation, where she has studied with Maestro Pavel Gomziakov since the 2022–2023 academic year. Through the Foundation, she has had the opportunity to perform with its orchestra under conductors including Nuno Coelho, Vasily Petrenko, Oksana Lyniv, and Thomas Guggeis, as well as to receive artistic guidance from Sennu Laine and Alexander Kovalev at the Barenboim Akademie in Berlin. Alicia has performed at the Baeza International Festival and has appeared in chamber music concerts alongside artists such as Clara Cernat, Thierry Huillet, Alexander Sitkovetsky, and J. Peter Maintz. She will make her orchestral debut as a soloist on March 14, 2026, in London, performing Saint-Saëns’ Cello Concerto No. 1 in A minor, Op. 33. She has the privilege of performing on a bow generously loaned by renowned maker C. Jochen Schmidt of Dresden, Germany, and on an 18th-century Italian cello by Antonio Ungarini. Alicia currently continues her studies at the Yehudi Menuhin School in London with Matthijs Broersma.

Watch LIVE Semifinals of Sound Espressivo 2021 Sound Espressivo Competition LIVE Semifinals are here! Nearly 100 musicians from around the entire globe were selected by the International Judges Panel. They are taking virtual stage performing LIVE! Judges commenting live on-air. Please support live music perfuming and courageous musicians by sharing, reposting, and inviting people to watch and to comment! If you join us LIVE – we will show your comments onscreen during the applause Sound Espressivo 2021 LIVE! Play Video Search videos Search video... Sound Espressivo Gala and Announcement of Winners Play Video SEC Finals. Session 1, Age group 26+. January 29 at 10:00 am EST Play Video SEC Finals. Session 2, Age groups 15-18 & 19-25. January 29 at 3:00pm EST Play Video SEC Finals. Session 3, Age group 10 and under & 11-14. January 29 at 8:00pm EST Play Video SEC Finals. Session 4. Age groups 10 and under & 11-14. LIVE, January 30 at 10:00 am. Play Video SEC Finals. Session 5, Age group 26+. January 30 at 3:00pm EST Play Video SEC Finals. Session 6, Age groups 15-18 & 19-25. January 30 at 8:00pm Play Video SEC Semifinals LIVE, Session 5. Saturday, December 18, 2021 Play Video

< Back Previous Giacomo Franci Next Conductor, The New York Chamber Players Gala at Weill Recital Hall at Carnegie Hall June 28, 2025 WATCH VIDEO Maestro Giacomo Franci is an internationally recognized pianist, conductor, and recording artist. He is the Founder, Artistic Director, and Conductor of The New York Chamber Players, established in 2004. Since their acclaimed debut at CAMI Concert Hall in New York City, the ensemble has continued to grow in reputation and artistic excellence. Franci is celebrated worldwide as a foremost interpreter of Aaron Copland’s music. His landmark triple CD, The Complete Edited Piano Works by Aaron Copland (Fone’ Classics), earned critical acclaim and established his reputation. He performed at Alice Tully Hall, Lincoln Center, for Copland’s centennial in 2000 to outstanding reviews. His discography also includes Igor Stravinsky: The Complete Published Piano Works (2010, Fone’ Classics), praised by Audio Review Magazine as “the Great Igor Stravinsky in the outstanding performance by Giacomo Franci.” In 2016 he began recording Beethoven’s Complete Piano Sonatas for Sheva Collection, with multiple releases planned. As a performer, Franci has appeared in major venues across Europe, the United States, South America, and Asia. His Carnegie Recital Hall debut in 1998 drew comparisons from Musica magazine to Glenn Gould and Arturo Benedetti Michelangeli. He has performed with leading orchestras including the Philharmonic Orchestra of Veneto, Orchestra Sinfonica di Grosseto, Richmond County Orchestra, Orchestra da Camera Fiorentina, Ensemble Orchestral de Bordeaux, the Beijing Symphony Orchestra, and many others, often appearing in the dual role of soloist and conductor. Franci’s conducting career has expanded internationally, with appearances leading the Shanghai Baroque Chamber Orchestra, Concepción Symphony Orchestra, Orchestra dei Pomeriggi Musicali di Milano, Boston Chamber Orchestra at Tanglewood, and the New York Chamber Players. He was invited as Guest Maestro at the Escuela de Dirección de Orquesta in Córdoba, Spain, for the 2010–11 season. Trained in both piano and conducting, Franci earned his Bachelor’s degree at the Boccherini Music Institute in Lucca, studying with Gaetano Gaeta and Giampiero Semeraro. He was awarded a Master’s scholarship at the Scuola di Alto Perfezionamento Musicale in Saluzzo, where he studied with Jean Fassinat and Aldo Ciccolini, and later pursued conducting studies with Piero Bellugi and Gustav Kuhn at Teatro Comunale di Pisa. Franci has been featured in broadcasts on WQXR’s Reflections from the Keyboard and WWFM’s Piano Matters with David Dubal, alongside appearances on ABC, WPIX, Manhattan Cable, Hofstra University Radio, and international television and radio networks. In 2008, he was included in the Cambridge Who’s Who Registry of accomplished professionals. Originally from Tuscany, Maestro Franci resides in New York City, where in addition to his performing and conducting career he leads The Tribeca Music Studio, dedicated to training the next generation of pianists and singers.

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