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< Back Nader Abbassi Conductor and Composer Learn More Videos About NADER ABBASSI - Conductor and Composer In his conducting career Nader Abbassi benefits from his wide professional experience as composer, singer and bassoonist. He made his acclaimed conducting-debut in 2002 with Verdi's "Aida" at the pyramids in Giza. His extensive work as an opera-conductor includes: “Maria Golovine”, “Hamlet”, “Un Ballo in Maschera”, “La Belle Helene”, “Aida”, “Carmen” (Marseille Opera House), “Dialogues des Carmelites” (Opéra de Bordeaux), “Aida” (Glimmerglass Festival New York, Thessaloniki Greece, Beijing China), “La Traviata”, “La Bohème” (Ireland & Russia), “Madama Butterfly”, “Barbe Bleue” (Marseille) “Kiss Me Kate” (Geneva). In the course of his career Nader Abbassi has held the positions of artistic director and principal conductor of the following orchestras: Qatar Philharmonic Orchestra, Doha, Katar (2009-2012) Cairo Opera Opera Orchestra, Cairo, Egypt (2002-2011) Under his leadership these orchestras were invited to perform in many tours and festivals in Germany, Austria, France, Netherlands, Greece, South-Korea, China, Oman, Mexico, Argentina. Since 2004 Nader is the musical director of the Orchestre pour la Paix Paris, France. This orchestra was founded by the Argentinian pianist Miguel Estrella and unites young professional musicians from all over the world to promote a peaceful dialogue between different cultures and religions. With the Orchestre pour la Paix Nader Abbassi leads performances at the UNESCO World Heritage Site in Petra (Jordan), the International Court of Justice at De Hague, Théâtre de Châtelet, the Sénat de France. A charismatic artistic leader, commanding a large repertoire of opera, ballet and symphonic music, he is a regular guest conductor at many international opera companies and orchestras, such as: Orchestre de la Suisse Romande, Orchestre de Marseille, Orchestre de Bordeaux, Orchestre Symphonique de Bretagne, Glimmerglass Festival NY, Sacramento Philharmonic, Mexico Symphony Orchestra, Royal Opera Oman, Slovenian Philharmonic Orchestra, Lisbon Philharmonic Orchestra. He is a permanent Jury member of the “International Stenhammar Singing Competition” at Norrköping, the UNESCO City of Music in Sweden. Nader Abbassi is the founder and musical director of the United Philharmonic Orchestra & Choir - with whom he performs various concerts and participates in numerous international musical events. In 2021 Maestro Nader Abbassi is the musical director and conductor of two unique historical events in Egypt - each including more than 1000 musicians under his his leadership: The Pharaoh’s Golden Parade - celebrating the journey of 22 Royal mummies through the city of Cairo . The Opening Ceremony of the Antique Sphinx Road at Luxor Both events were globally broadcast and earned wide international recognition. The Sphinx Road also featured several of Nader's original compositions. The compositions of Nader Abbassi are being performed by numerous orchestras in France, Europe, Asia, North- and South America. For his achievements in music and culture Nader Abbassi has received many distinctions and awards: (selection) -Award of Excellency for the Pharao’s Golden Parade by the Ministry of Antiquities and Tourism Egypt -Award of Excellency of the Ministry of Culture Egypt -Award of Honour of the University of Technology and Information, Cairo, Egypt -Award of Lifetime Achievement of the Egyptian State TV -GPIS Award of Excellency -Award of Special Achievements for the Arts, National Academy of Arts Egypt -Award of Achievment for the Young Generation of the Cairo University -Award of Honour of Ain Shams University Previous Next

< Back Robert Voisey Composer Learn More Videos About Composers know Robert for presenting their music in places around the world. Voisey has been described as "mad" or "crazy" by the New York Times, Time Out London, Music and Vision, and White Fungus Magazine. "The first thing to be said about "60x60 Dance" is that it is a masterpiece of organization. The idea ... is quite mad. But it's this kind of madness that makes the cultural world go round, and so our thanks are due to the composer Robert Voisey" - An Express Without Any Delays, New York Times Robert Voisey composes chamber music and electronic music. His chamber music feels neo-romantic and frequently utilizes extended instrumental techniques and graphic notation. The electronic music he creates tends to be either ambient in nature utilizing throat-singing techniques he records of himself or he flips over into a mashup territory comprising of a collage of micro-samples. Robert's piano work, "Persistence of Melancholy" received its Carnegie Hall debut in 2019 and featured on the album ENDURANCE with pianist Matthew McCright. The Mid America Freedom Band premiered Robert Voisey's work at Electronic Music Midwest festival and was described by as, "... combined Mid America Freedom Band's concert band instrumentation with electronics in compelling ways, allowing these often separated musical ventures to work together. Voisey's work ... used mass textures and a graphic score that played with, and against, concert band tropes, with the electronics supporting and enhancing the dense sound masses." - Computer Music Journal 2019 Voisey's work has enjoyed the privilege of being selected and performed on many festivals including: ADevantgarde festival, American Art Experience, Bellingham Electronic Arts Festival, Brookes Oxford's Sonic Art Festival, Create Festival, Dance Parade, Digital Art Weeks, EARFEST, Electronic Music Midwest Festival, EuCuE xxvii festival, Fresno New Music Festival, International Electroacoustic Festival at Brooklyn College, International Sound Art Festival Berlin, Annual Kentucky New Music Festival, Annual North Carolina Computer Music Festival, Spark Festival, STUDIO 300 Digital Art and Music Festival, 12 Nights The Street: Festival of Electronic Music, Art and Performance, and the 3rd All Ears Contemporary Music Festival. Robert Voisey is most known for his production work with the company he started Vox Novus and its concert series: 60x60, Composer's Voice Concert series, Fifteen-Minutes-of-Fame, Circuit Bridges, and XMV. 60x60 has presented and promoted the works of more than 2500 composers with over 350 performances in close to 50 countries across the globe. 60x60 collaborations have presented the work of thousands of choreographers, dancers, performance artists, video artists, fine-artists, and more. The Composer's Voice concert series has presented over 1000 composers and musicians in 150 concert primarily produced in New York City but also in more than 10 countries around the world. Fifteen-Minutes-of-Fame has featured more than 80 musicians and ensembles which have through Vox Novus inspired thousands of one-minute works to be written for them. Robert Voisey intrinsically believes in championing a community which collaborates and joins together to celebrate new music. http://www.60x60.com/founder/ https://en.wikipedia.org/wiki/Robert_Voisey Previous Next

Come to New York for three days to immerse yourself in music-making, together with an international group of musicians, under the tutelage of Rita D'Arcangelo, Germany/Italy. Rehearse masterpieces by the greatest composers and perform a program on the world-renowned stage of the Weill Recital Hall at Carnegie Hall. Receive an archival, professional-quality video of your performance at Carnegie Hall. Participate in an interview for media. Tour the most well-known conservatories in the world. Enjoy the camaraderie of fellow musicians from around the world, taking home lasting memories and friendships. ~~~~~~~~~~~ Dates: April 1, 2024 - Deadline to apply with a video of your choosing June 28 - July 2, 2024 - rehearsals and concert at Weill Recital Hall at Carnegie Hall in New York City ~~~~~~~~~~~ Who can apply? There is no age restrictions. Check the repertory which this Laureate Ensemble will perform at the Carnegie Hall and make sure you are up for the challenge! Flute Choir at Carnegie Gala June 29-July 1, 2024 < Back Application Deadline April 2, 2024 at 3:59:00 AM Apply Regulations Previous Next Come to New York for three days to immerse yourself in music-making, together with an international group of musicians, under the tutelage of Rita D'Arcangelo, Germany/Italy. Rehearse masterpieces by the greatest composers and perform a program on the world-renowned stage of the Weill Recital Hall at Carnegie Hall. Receive an archival, professional-quality video of your performance at Carnegie Hall. Participate in an interview for media. Tour the most well-known conservatories in the world. Enjoy the camaraderie of fellow musicians from around the world, taking home lasting memories and friendships. ~~~~~~~~~~~ Dates: April 1, 2024 - Deadline to apply with a video of your choosing June 28 - July 2, 2024 - rehearsals and concert at Weill Recital Hall at Carnegie Hall in New York City ~~~~~~~~~~~ Who can apply? There is no age restrictions. Check the repertory which this Laureate Ensemble will perform at the Carnegie Hall and make sure you are up for the challenge! Apply In addition to a once-in-a-life-time experience, all participants receive: Carnegie Hall Archival DIGITAL VIDEO of their performance (see Regulations for acceptable uses as per by Carnegie Hall rules) Medals, Certificates Full color Concert Program brochure (digital and printed) with their short bio and picture Complimentary Performer's ticket Group Interview for media, broadcast on social and video platforms Concert Photos Letters of recommendation and other support is provided upon request for applying for grants, colleges, other programs, competitions, auditions Tuition cost: $870 (travel and accommodations not included) Inquire about affordable dorm-style accommodations in Manhattan, NY If you require a US visa - we provide visa support and can send you confirmation documents for the US Consulate Application Process Submit an Application form by the DEADLINE April 1, 2024 Upload video of any piece (with or without accompaniment). YouTube link or Google Drive link Application fee $60 Selected musicians will be notified about your acceptance into the Laureate Ensemble at Carnegie Gala program by April 15, 2024 Apply Typical Schedule June 28 - Arrival, check-in, orientation June 29 - Rehearsals and workshops 10:00-1:00; Lunch; Rehearsals and workshops 2:00-5:00 June 30 - Rehearsals and workshops, tour Juilliard School or Manhattan School of Music, or Mannes, or NYU July 1 - Sound check at Weill Recital Hall at Carnegie Hall at 2:30pm. Concert at 7:00pm July 2 - Depart Program to be presented at Carnegie Hall J. S. Bach: Gavotte 1 and 2 from the Orchestral Suite n.3 W.A.Mozart: Eine kleine Nachtmusik E. Grieg: from Peer Gynt Suite No.1 Morning Mood P.I. Tschaikowsky: 2 Dances from the "Nutcracker Suite" Joseph Russo: New pieces written especially got the Laureate Ensemble at Carnegie. Listen to Joseph Russo's music for flute here: https://www.youtube.com/watch?v=l9CAnav8bIE https://www.youtube.com/watch?v=2TVKePEsFSQ Meet the Director First prize in numerous international competitions, she made her debut as soloist in 2011 at the Carnegie Hall in New York. She's one of the few flautists to have in repertoire the Concierto Pastoral by J. Rodrigo. She recorded for the German radios SR2, SWR and WDR, the Japanese National Television NHK and for the Vatican Radio. As a first flute she worked at the "HPAC Orchestra" and the Osaka Philarmonic Orchestra in Japan; Filharmonia Gorzowska, the United Chamber Orchestra and the Kammersolisten der Deutschen Oper Berlin. She's flute professor at the Department of Music of the German State University BTU – Cottbus, at the private University Akademie für Musik Berlin where she is also Head of Department for Orchestral Instruments. Rita is also guest professor at National Tsing Hua University in Taiwan and member of the jury for the Grammy Awards of the Recording Academy USA. She regularly holds masterclasses in Japan, Europe and the U.S.A. Rita D'Arcangelo is a Nagahara Flutes Artist and plays on a beautiful instrument crafted expressly for her by Kanichi Nagahara Graduated in flute, with honors, at the Conservatory of Music "L. D'Annunzio " in Pescara (Italy), she then graduated also at the "Royal Northern College of Music "in Manchester, “ the International Academy of Music in Milan " and " the Hochschule fuer Musik” in Mannheim. Rita studied with Sir James Galway for many years, following the masterclasses of the Weggis Flute Festival in Switzerland, where she won the gold Nagahara 14K flute headjoint in 2008 and was invited as Guest Artist in 2016 and 2019 MEET THE GUEST ARTIST CARLA AULD, NEW YORK, USA "...Her playing is beguiling. Smooth balanced tone throughout the registers of her instrument, marvelous breath control, pitch perfect and technical command distinguish all of her performances." – Jerry Dubins Carla Auld continues to distinguish herself as both a performer and one of the foremost proponents of the flute in the world today. A popular concert artist and teacher, she has also been hailed for her work as a founder and artistic director of organizations specifically related to music and arts administration. Constantly in demand for her work as an advisor and adjudicator, Auld has served on the boards of both the New York Flute Club, and the New Jersey Flute Society, and as an international judge for the Magalif Flute Competition. LEARN MORE Watch below the pieces which Directors chose for the Laureate Ensembles at Carnegie Program Laureate Ensemble Program at Carnegie Ha... Play Video Play Video 05:35 Romanze Provided to YouTube by CDBaby Romanze · Rita D'Arcangelo Inspired by Rita D'Arcangelo ℗ 2019 Rita D'Arcangelo Released on: 2019-03-14 Auto-generated by YouTube. Play Video Play Video 03:14 Jessie Montgomery's Starburst | Minnesota Orchestra | Osmo Vänskä Minnesota Orchestra audiences responded with great excitement for the music of New York-based composer Jessie Montgomery after an October performance of Strum. Now, listen to another great work by Montgomery, recorded live on New Year's Eve and conducted by Music Director Osmo Vänskä. Packed with energetic motives and layers of bright, swirling ideas, Starburst reflects the formation of new stars in a galaxy and seeks to musically represent the members of the dynamic ensemble for which the piece was written: The Sphinx Virtuosi. Watch the full performance: https://mnorch.vhx.tv/videos/vanska-conducts-a-new-year-s-celebration Play Video Play Video 10:04 Muti Conducts Saint-Georges' Overture to L'amant anonyme Riccardo Muti and the Chicago Symphony Orchestra performed the Overture to L’amant anonyme by Joseph Bologne, the Chevalier de Saint-Georges, to open the 2021/22 concert season at Symphony Center. A champion fencer, war hero and contemporary of Mozart, Chevalier de Saint-Georges is considered the first Black European composer of note whose music, while wildly popular and influential during his lifetime, has long been overlooked. This performance was recorded on September 25, 2021. For additional videos of Riccardo Muti, visit https://www.riccardomutimusic.com. Tickets and more info: https://cso.org Facebook: https://www.facebook.com/chicagosymphony Instagram: https://instagram.com/chicagosymphony Twitter: https://twitter.com/chicagosymphony Play Video Play Video 13:53 E. GRIEG arr. BEN-MEIR - Peer Gynt Suite no. 1 for flute choir E. GRIEG arr. BEN-MEIR - Peer Gynt Suite no. 1 for flute choir (13’00) 00:00 I. Morning Mood 03:54 Death of Ase 07:28 Anitra's Dance 11:07 In the Hall of the Mountain King King's Flute Choir King's Flute Choir Presents: The Flutist-Composers 15 July 2023 Esplanade Recital Studio Audio: Justin Chew Video: Shao Yong Play Video Play Video 07:29 Fantasia (Arr. for Flute and Piano) Provided to YouTube by Da Vinci Classics Fantasia (Arr. for Flute and Piano) · Rita D'Arcangelo · Giuliano Mazzoccante 20th Century & 21st Century Fantasies and Romances (Arr. for Flute and Piano) ℗ Da Vinci Classics Released on: 2020-09-25 Soloist: Rita D'Arcangelo Soloist: Giuliano Mazzoccante Composer: Joseph M. Russo Auto-generated by YouTube. Play Video Play Video 02:13 Dvořák: Serenade for Strings / Petrenko · Berliner Philharmoniker Full-length concert: https://www.digitalconcerthall.com/concert/53016?a=youtube&c=true Antonín Dvořák: Serenade for Strings in E major, op. 22 / Kirill Petrenko, conductor · Berliner Philharmoniker / Recorded at the Berlin Philharmonie, 13 June 2020 The Berliner Philharmoniker's Digital Concert Hall: http://www.digitalconcerthall.com Subscribe to our newsletter: http://www.digitalconcerthall.com/newsletter Website of the Berliner Philharmoniker: http://www.berliner-philharmoniker.de Play Video Play Video 03:22 Fugue in G Major (BWV 577) for Guitar Quartet Unique among Bach's works -- assuming it is by Bach -- this is a fugue in jig-time, the sort of thing one finds in Buxtehude and Pachelbel, but at a lower skill level. It begins, innocently enough, with a cheerful tune in dotted Gigue rhythm, but quickly proves to be a treacherous test of virtuosity with its rapid, four-voice writing and its especially difficult pedal part. The fugue works well if played in a low-key manner, but some performers feel that if they're going to take the trouble to master this three-minute piece, they should impress the audience with its difficulty, so with a combination of showy registration choices and fast tempo, this can also be used as a barn-burner. Source: Allmusic (http://www.allmusic.com/composition/fugue-for-organ-in-g-major-bwv-577-bc-j61-mc0002369101). Although originally composed for Organ, I created this modern interpretation of the Fugue in G Major (BWV 577) for Guitar Quartet. Sheet music made with MuseScore - https://musescore.com Play Video Play Video 02:21 Piotr Ilich Tchaikovsky - The Nutcracker, Dance of the Reed Flutes Learn More Apply Fees Application Fee - $60 Tuition - $870 Previous Next

Learn More < Back Album Production and Distribution Contract Cicerone MA Streams Independent Label for Publishing and Distributing Classical, Blues & Jazz Music is sponsoring THREE Album Publication Awards For the Top Participants who receive the title of the Artist of the 2023-24 Season Winners are to be selected from the pool of musicians - participants in the 2023-24 season of Sound Espressivo and collaborative Competitions and Auditions. Prize Winners will be invited to Italy for a recording session at one of Cicerone professional recording Studios. Worldwide Album distribution contract. This Award is Sponsored by Cicerone MA Streams Cicerone MA Streams created a platform for musicians which: Rewards Your Talent Our community values your artistry and rewards your talent. We believe that music should be a harmonious collaboration between artists and listeners, and that's why we collaborate with the best streaming platforms. Winners are to be selected from the pool of musicians - participants in the 2023-24 season of Sound Espressivo and collaborative Competitions and Auditions. Prize Winners will be invited to Italy for a recording session at one of Cicerone professional recording Studios. Worldwide Album distribution contract. - Recording sessions will take place over a maximum of two days (artists are responsible for their own travel and accommodations costs). - Recording and editing of the audio in the studio is fully sponsored by Cicerone MA Streams and is free of charge for the Winner Artists. - Streaming distribution contract with an attractive revenue model for royalties will be signed (duration 10 years). - The artist will be included in the line-up of MA Streams Artists on the Cicerone website. See an example here: https://ciceronema.com/artists/maria-thompson-corley-piano/ - Promotion of the album on social media, sponsored by Cicerone and provided free of charge to the Winner Artists. Your Music, Your Way We respect your individuality as an artist. Cicerone MA Streams edits your music to the best possible listening experience, whether you like the “home” or “stage” sound. We will record, edit, and master your music! Earning While You Play We understand the challenges musicians face in today's digital landscape. We offer a fair revenue model that puts your earnings first. Exclusive Promotion exposure Your fans are the heart of your music. You’ll be part of our featured Cicerone MA Streams artists. Global Reach, Local Impact Reach a global audience and connect with fans from every corner of the world. At the same time, our platform is committed to supporting local music scenes and emerging talent. View More Visit CIMA Website Previous Next

< Back Michelle Lynne Piano Learn More Videos About Canadian pianist Michelle Lynne is known for her dynamic and exciting performances, connecting with audiences in a personal and touching way. Based in the Netherlands, she has performed across Canada and Europe. A frequent chamber musician, she is also in demand as a collaborative pianist and festival adjudicator. She is regularly invited to give masterclasses in International Schools across Europe with violist Deanna Petre as part of the Juilliard Global program. As Artistic Director of the concert series Opus 16 Concerten , she creates concert programs with other young professionals to connect and inspire audiences. She is the Co-Founder of The Fearless Artist Mastermind , a coaching program for professional musicians with co-facilitator Deanna Petre, where they work with musicians to equip them with skills needed to build successful careers as classical musicians. The recipient of numerous awards, she is a laureate of the Prix d’Europe, the Helene Roberge Competition (ARAM), the Canadian Music Competition, the Kiwanis Competition, the Shean Competition. Michelle has attended summer festivals across Europe, studying with renowned professors such as Julian Martin (Julliard), Claudio Martinez Mehner (Basel), Dominique Weber (Geneva), Klaus Hellwig (Berlin), Ferenc Rados, Marian Hahn (Peabody) and André Laplante (Conservatoire de Montréal). She received a Professional Studies Diploma and a Masters degree in piano performance from the Université de Montréal, studying with Dr. Jean Saulnier. She is inspired by new ideas, good conversation, travel and long walks with her cyprus poodle. Canadees pianiste Michelle Lynne is bekend vanwege haar dynamische en opwindende optredens. Ze verbindt zich met haar publiek op een persoonlijke en ontroerende manier. Ze ontving talrijke prijzen en is gelauwerd als winnares van Prix d’Europe , de Helene Roberge Competition (ARAM) , de Canadian Music Competition , de Kiwanis Competition , de Shean Competition en de University of Alberta Concerto Competition . Mevrouw Lynne trad op door heel Canada en eveneens in Nederland, Zwitserland, Duitsland, Kroatië, Spanje, Italië en Frankrijk. Michelle nam deel aan zomerprogramma’s in Italië, Banff, Spanje, Duitsland, en het Orford Arts Center, waar ze studeerde met befaamde professoren als Julian Martin (Julliard), Claudio Martinez Mehner (Bazel), Dominique Weber (Geneve), Klaus Hellwig (Berlijn), Ferenc Rados, Marian Hahn (Peabody) en André Laplante (Conservatorium van Montreal). Ze speelt regelmatig als kamermuzikant. Als veelgevraagd samenwerkend pianiste en jurylid, werd ze uitgenodigd om samen met violiste Deanna Petre masterclasses te geven in Zwitserland. Daarnaast is ze samenwerkend pianiste in de zangstudio van de vermaarde Gemma Visser (Eijsden). Michelle ontving een Professional Studies Diploma en een mastertitel in Piano Performance van de Universiteit van Montreal, waar zij studeerde met Jean Saulnier. Daarvoor studeerde ze aan de Universiteit van Alberta. Ze kreeg een LCCM (masterdiploma) van het Conservatorium van Canada en de Performers ARCT van de Royal Conservatory of Music in Toronto. Ze is de artistiek directrice van Opus 16 Concerten , in Limburg, Nederland. Previous Next

< Back Nayer Nagui Conductor Learn More Videos About Maestro Nayer Nagui Born in Alexandria, 1970. Joined the Alexandria Conservatoire, where he studied Piano under the Italian Prof. Herta Pappo. Furthered his Musical studies in Cairo, where he obtained the advanced certificate of the Royal Schools of Music, London, in Piano performing and Theory of Music, 1996.Studied conducting with Prof. Maestro Dominique Rouits at L’Ecole Normale de Musique de Paris where he obtained his diploma of conducting in 2001. His vast repertoire ranges from Symphonic, Opera, Oratorios and Ballet conducting to Musicals, and Light Music. Among it, Rossini’s 3 comic Operas, Verdi’s “Aida”, “Rigoletto”, “Ballo in Maschera”, La “Traviata” Puccini’s “Tosca”, “La Boheme”, Donizzeti’s “L’elixir d’amore” and Mozart’s “Die Zauber flote and Cosi fan tutte”, Maroun Rahi’s “Antar wa Abla”.His Ballet repertoire includes, Prokofiev’s “Romeo & Juliet”, Ravel’s “Bolero”, Khatchaturian’s “Spartacus”, Theodorakis’s “Zorba”, Tshaikovsky’s “Nut cracker”, “Swan Lake” , Adam’s “Le Corsaire”, “Giselle”, Minkus’s “Don Quixotte”, “La Bayadère” and Stravinski’s “Fire bird”.As for Oratorios and Choral works, it includes Mozart, Brahms, Fauré and Verdi Requiems as well as Rossini’s Petite Messe Solennelle, Schubert Stabat Matter, Vivaldi’s and Poulenc’s Glorias, Saygun’s Yunus Emre,Prokofiev’s “Alexander Nevski” Cantata, Mozart C minor Mass, Beethoven C Major Mass as well as Orff’s Carmina Burana. He wrote many compositions and arrangements for Choir, Orchestra and Soloists, performed in Egypt and in several International Festivals around the world, amongst them the music for the celebration convened by the Ministry of Culture marking the Golden Jubilee of the nationalization of Suez Canal, the music for the celebration convened by the Algerian Ministry of Culture marking Algiers as the Capital of Arabic Culture in 2006.His Arrangements of Sayyed Darwish songs for Choir won the Silver award for Stylish interpretation of Arabic Music in “Prague Voices” Choir Competition 2012,and a Silver diploma in the “World Choir Games” competition in Sochi 2016. The Founder and the Musical Director of the “Cairo Celebration Choir”, a Choir of 120 members performing famous Chorus works and Oratorios. He is also a Musical Director of Disney’s dubbing animation in Arabic language. Former Artistic Director and Principal Conductor of Cairo Opera Orchestra , as well as sharing the baton with famous French Conductor Michel Piquemal in the yearly International Festival of “Coro de Tres Culturas” in Morocco and Spain. Recently appointed as Principal Conductor for the Bibliotheca Alexandrina Orchestra. In addition to his yearly program with Orchestras and Choirs in Egypt, he also conducted Lecce Symphony Orchestra and Calabria Chamber Orchestra from Italy, European Camerata from the U.K, Ensemble Georges Solti from Hungary, the Bonner Vokalisten from Germany, Moroccan Royal Philharmonic Orchestra, the Algerian Symphony Orchestra, Orquesta Joven di Andalucia from Spain, the Royal Oman Symphony Orchestra, Minsk Festival Orchestra from Belarus, Shenzen Symphony Orchestra from China and Kappabachi Opera ensemble from Japan. Previous Next

< Back John Kaboff Cello Learn More Videos About John Kaboff, B.M., M.M., studied with Janos Starker at Indiana University as well as Jacqueline DuPre’s teacher, William Pleeth, at the Holland Music Sessions in the Netherlands and at the Britten-Peers Summer School in England. In addition to serving as Mr. Pleeth’s teaching assistant, he studied at the International Academy of Chamber Music (now known as the Kronberg Academy), in Kronberg, Germany, with Arto Noras. A resident of the Washington since 1995, D.C., Mr. Kaboff has performed as recital and concerto soloist locally at The Kennedy Center for the Performing Arts, The United States Department of State, The Corcoran Gallery of Art, The Embassies of Germany, France and New Zealand, The Church of the Epiphany, Dumbarton House and has been a repeat concerto soloist with the JCC Symphony Orchestra and the Landon Symphonette. In 2013, he performed with the Manhattan Symphonie in Carnegie Hall. His concert appearance at Strathmore Hall in North Bethesda, MD was acclaimed by The Montgomery County Sentinel as ”beguilingly lyrical and in “top form”. Internationally, he has performed as recital soloist in the Kleinezaal of the Concertgebouw in Amsterdam, The Cologne Museum of Modern Art, Frankfurt Museum of Contemporary Art and The Adelaide Towne Hall. He frequently performs chamber music with various colleagues known as the Nottingham Ensemble and is currently the Director of Chamber Music for The Capital Symphonic Youth Orchestra. Mr. Kaboff is a highly successful private teacher of pre-college age students who frequently garner prizes in local and regional cello competitions. Most recently, his students took top prizes in all levels of the 2016 Washington Performing Arts Society competition. In 2015 two students were prizewinners at the American Protégé Competition, resulting in Carnegie Hall, Weil Recital Hall debut recitals. In 2015 and 2016, his students have been featured in the Classical Spotlight Showcase for Maryland Public Television. His former students matriculate from highly competitive music schools such as the Curtis Institute, Indiana University, the University of Michigan, the Cleveland Institute of Music and the Mannes College of Music with substantial merit scholarship. They have held positions in the Baltimore Symphony, Austin Symphony, Aspen Music Festival, Castleton Music Festival and other European orchestras. In 2018, His 6 year old student appeared in concert at Weill Recital Hall in Carnegie Hall in New York City as a prize winner of the Concert Artists International Competition. In 2019, the chamber music ensembles he coaches under the auspices of The Capital Symphonic Youth Orchestra will appear in concert at the Kennedy Center, Millennium Stage. His students' cello ensemble, known as the Bow Lightlys, were featured guest artists at the World Cello Congress III (2000), where they were featured in an internationally broadcast cello ensemble workshop with world famous cellist, Yo-Yo Ma which then resulted in a cello choir concert at the Sixth American Cello Congress (2001) as part or Mr. Kaboff’s appearance as a guest lecturer. They performed at the 2014 Tennessee Cello Workshop and will reappear in 2020. The Bow Lightlys have been featured in concert on live radio broadcast in Washington, DC. They have also performed cello ensemble concerts at the Embassy of France, Almas Shriner’s Temple as well as many local religious centers. They often perform at charity events for the American Diabetes Association. As a way to share their musical expression, the Bow Lightlys also perform at senior living centers as to bring music to the homes of those who might not be able to enjoy otherwise. Mr. Kaboff is a frequent judge at local and regional competitions. He has also adjudicated the preliminary competition rounds at the 2000 Third World Cello Congress’s Master Class Competition, 2006 and 2012 Washington International Competition. He has assumed the role as chairman of the Washington International Competition for Strings (2022). As a frequent guest lecturer, he has conducted master classes and performed at the Flinders Street Conservatorium in Adelaide, Australia, Purcell School of Music in London, England, Indiana University Summer String Program, Michigan State University, Longy School of Music in Boston, The Music Academy of North Carolina and the Universities of Texas (Rio Grande Valley), Tennessee and Rhode Island. He was in artist in residence in 2011and 2019 at Appalachian State University and was a featured artist at the 2010 Tennessee Cello Workshop. Mr. Kaboff has earned Suzuki certification through level 10 and was invited by the Suzuki Association of Australia to conduct workshops, master classes and solo recitals in Melbourne and Adelaide, Australia. He has received accolades for his teaching by numerous world-class cellists such as Yo-Yo Ma and Janos Starker and has been the feature of numerous articles in such publications as the Washington Post, The Baltimore Sun, The Washington Jewish Weekly, The Vienna (VA) Connection and The Montgomery Journal. Yo-Yo Ma, also notes him in a biography about him entitled, “Musicians With a Mission” , as being a superb teacher of young children. Musicians with a Mission Previous Next

< Back Previous Alan Ma Next Pianist Gala at Weill Recital Hall at Carnegie Hall April 30, 2025 WATCH VIDEO Alan is a dedicated 13-year-old pianist with a deep appreciation for music and artistic expression. He began studying piano at the age of seven and has since built a strong foundation in both classical and contemporary repertoire. Through consistent practice and a love for performance, Alan continues to refine his technique and broaden his musical understanding. Beyond his musical pursuits, Alan maintains an excellent academic record and enjoys exploring literature, technology, and time with family and friends. He aspires to continue his musical journey by composing original works and pursuing a professional career in performance.

< Back Gretchen Greenfield Contralto, Vocal Coach Learn More Videos About "Greenfield was the standout among the soloists. Her energy and vaulting expressiveness caused a stir in the [Kennedy Center] audience, many of whom were hearing this young artist for the first time." - The Washington Times GRETCHEN GREENFIELD Artistic Consultant for VOCAL ARTISTS MANAGEMENT SERVICES VAMS is delighted to welcome distinguished contralto GRETCHEN GREENFIELD as its Artistic Consultant. With over 25 years professional experience, Ms. Greenfield contributes a wealth of expertise derived from her triumphs as a nationally and internationally acclaimed solo artist, as well as her successful teaching studio SingingAndYOU (link on the right) and her passion for mentoring musicians of all ages. Highlights of Ms. Greenfield's career as a contralto soloist include appearances in Mahler's Third Symphony with the Minnesota Orchestra, Charles Dutoit conducting; on tour with the Südwestfunk Orchestra of Baden-Baden, Helmuth Rilling conducting; on tour in Tokyo with the St. Louis Symphony Orchestra in performances of Beethoven's Ninth Symphony, Leonard Slatkin conducting; and encore performances of Shostakovich's songs From Jewish Folk Poetry with the National Symphony Orchestra at the John F. Kennedy Center, the New York Y Chamber Orchestra and the Hartford Symphony Orchestra, Maxim Shostakovich conducting, as well as with I Musici de Montreal, Yuli Turovsky conducting. Personal Website singingandyou.com SingingAndYOU SingingAndYou ⋆ How to Sing Better! How to Sing Better SingingAndYou is the resource for vocalists to advance singing technique, prepare for auditions, care for vocal health, and more. Gretchen Greenfield is an internationally acclaimed solo vocal artist, sharing her expertise with singers of all ages and levels of their vocal careers, through blog articles and singing lessons. Previous Next

< Back Previous The Castanets of Madrid Next The Castanets of Madrid Gala at Weill Recital Hall at Carnegie Hall June 30, 2025 WATCH VIDEO Teresa Laiz Conductor Castanet Virtuoso, Performer, Composer, and Educator. Born in Madrid in 1966, Teresa Laiz has dedicated over three decades to the art of the castanets. Her journey began through intensive training in Spanish Dance under celebrated masters such as Víctor Ullate, Ana Mercedes, Rafael de Córdoba, Candela Soto, La Tani, El Farruquito, Juan Carlos Lérida, and Belén Maya. Until 2003, her professional focus was primarily on Spanish Dance and Flamenco, after which she began creating multidisciplinary performances inspired by the works of Federico García Lorca—integrating theater, music, dance, and castanets. A turning point in her artistic path came in 2005, when she met Maestro José de Udaeta, who introduced her to the world of Concert Castanets. Their collaboration led to several joint performances, and in 2006, Teresa Laiz embarked on a solo career. Since then, she has composed original castanet scores and performed a wide range of repertoires—including classical, Spanish, and folk—distinguished by their virtuosity and emotional intensity. An experienced and passionate educator, Teresa has been teaching since 1987. Her expertise spans Classical Ballet, Spanish Dance, Flamenco, Creative and Ballroom Dance, and Castanets. She has taught at numerous institutions, including the prestigious “Amor de Dios” Flamenco and Spanish Dance Center in Madrid. Currently, she is on faculty at the School of Performing Arts Ma non troppo in Madrid. Teresa’s performance career includes appearances on major radio and television channels (TVE, Telecinco, Cuatro TV, Telemadrid, Rai TV, Canal Nord Catalunya, TV Costa Brava, and more), and on stages across Spain, Italy, France, Austria, and the United States. She has been featured at distinguished festivals such as the International Festival of Porta Ferrada, Festival des Articulés (France), the Catalunya Against Cancer Festival, and the International Castanets Festival, which she founded in 2009—the world’s first and only festival devoted entirely to castanets in all styles. She has collaborated with a diverse range of musical ensembles, from intimate piano or guitar duos to full symphony orchestras. Her notable performances include appearances at the Liria Palace, the National Auditorium of Spain, Plaza Mayor in Madrid, the Musikverein in Vienna, and Carnegie Hall in New York. Her stage partners have included world-renowned artists such as Montserrat Martí Caballé, Luis Santana, Marika Spadafino, Carmen Solís, Nancy Fabiola Herrera, Aquiles Machado, Sílvia Pérez Cruz, Clara Montes, José de Udaeta, Antonio Reyes, Adrián Galia, and Sergio Bernal. Teresa is a two-time winner of the Progressive Musicians International Music Competition, in both the Soloist and Ensemble categories, earning her performances at Carnegie Hall in 2022 and 2023. In 2024, she and soprano Marta Casas won First Prize in the Fanny Mendelssohn International Competition (Professional Chamber Music category). Her discography includes the solo album Repicando el Alma (2007), as well as collaborations on albums such as Parlem-ne (2008, with Santi Vendrell), Canciones del comer y del beber (2010, with Els que canten), and “Bellas Promesas” (2022, with La Firu). She also performed on the soundtrack of The Man Who Killed Don Quixote, directed by Terry Gilliam, with music by Roque Baños. As an author, she published Castanet Method by Teresa Laiz, Vol. 1, available on Amazon, and continues to develop further volumes. She also completed formal studies in orchestral conducting at the Navarro Lara School of Orchestra and Band Conducting. Teresa is the founder and director of the O.I.R. (Orchestra of Rare Instruments) and the Castanets Choir of Madrid. In 2019, she launched the Online Castanets School, offering digital instruction to students worldwide. In 2023, she established the Teresa Laiz International Castanets Competition, which will hold its third edition in February 2025. In concert, Teresa redefines the castanets as a solo instrument capable of expressing the depth and breadth of musical tradition—from Baroque masters such as Bach and Scarlatti to Spanish composers like Albéniz and Falla, to Catalan, flamenco, jazz, pop, and international folk music. She performs her own original scores, bringing renewed visibility and artistic prestige to this deeply rooted, yet often overlooked, instrument of Spanish culture. Today, she continues to compose, teach, perform internationally, and lead efforts to preserve and elevate the art of castanets. She is currently preparing the 11th International Castanets Festival and the 3rd Teresa Laiz International Castanets Competition. Nora Muñoz Spanish Dance Artist and Castanet Soloist From an early age, Nora Muñoz began her artistic training in Classical Ballet, Spanish Dance, and Mexican Folklore. She later specialized in Stylized Spanish Dance, Spanish Classical, and Flamenco, studying under renowned Mexican master Oscar Tarriba through the teachings of Ana María Sánchez. Her formation has been enriched through masterclasses, workshops, and seminars with acclaimed teachers from both Mexico and Spain, deepening her technique and expressive artistry. Nora has performed as a guest artist in various Flamenco productions and Spanish Classical Dance concerts, and appeared in the opera Carmen at the Apollo Art Performance in California, USA. As an educator, she has taught Spanish Dance, introductory Flamenco, and Castanets for both public institutions and private organizations, while also directing her own Spanish Dance studio. In 2023, Nora was awarded Second Prize as one of the four finalists in the 1st Teresa Laiz International Castanet Competition. That same year, she earned her Degree in Concert Castanets from the Teresa Laiz International Castanet School in Spain, a member of the International Dance Council CID–UNESCO. Currently, she is a member of the Castanet Choir of Madrid, under the direction of Teresa Laiz, where she performs both as a soloist and ensemble artist. Florencia Fourcade Dance Educator, Composer, Choreographer, and Castanet Soloist Florencia Fourcade is an accomplished dance teacher, composer, choreographer, and castanet soloist with over two decades of experience. Since 2000, she has taught at the Elina Molina Estrella Dance School, where she leads classes in Castanets, Classical Ballet, Contemporary Dance, Flamenco, and Spanish Dance. In 2020, she was appointed Director of the school, where she continues to inspire and mentor new generations of dancers. In 2024, she graduated from the Teresa Laiz International Castanet School, Spain, where she now also serves as a faculty member. Her dual role as performer and educator reflects her commitment to the development of the concert castanet as a solo instrument. Florencia is a soloist member of the Castanet Choir of Madrid, under the direction of Teresa Laiz, contributing to performances that elevate the castanets in both traditional and contemporary repertoires. She is also the co-founder of the International Castanet Foundation “Castamusic”, an initiative dedicated to promoting the cultural and artistic value of the castanets worldwide. Her artistic contributions have been formally recognized by the Senate of Mendoza for her work in cultural development. She has appeared in major events and venues across Argentina, Spain, and New York, earning praise for her expressive performances and original compositions. In February 2025, Florencia was awarded First Prize in the Concert Castanet Category at the III Teresa Laiz International Castanet Competition, further solidifying her position as a leading figure in this unique musical discipline. Isabel Alarcón Dancer and Castanet Soloist Isabel Alarcón is a Spanish dancer from Madrid, currently based in Seville, Andalucía. A graduate of the prestigious Carmen Amaya Professional Conservatory in Spanish Dance and Flamenco, she was later awarded a scholarship at the Cristina Heeren Foundation of Flamenco Art, where she studied with renowned masters such as Milagros Menjíbar and Javier Barón. Her talent has been recognized in major flamenco competitions: she was a finalist in the Ubrique Flamenco Competition 2024, as well as in the Federation of Peñas of Málaga (2024) and Seville (2023). In 2024, she won the II Tablao Competition of Casa de la Memoria, one of Seville’s most respected flamenco venues. In February 2025, she was awarded First Prize in the Category of Castanets for Dance Accompaniment at the III Teresa Laiz International Castanet Competition, highlighting her excellence in this specialized art form. Isabel has performed on some of Spain’s most iconic stages, including the Royal Theatre of Spain, Gran Teatre del Liceu in Barcelona, and the National Auditorium of Music in Madrid. She is a frequent performer in tablaos and peñas across Andalucía, and also appears as a castanet soloist with orchestras, bringing the rich tradition of Spanish dance and music to concert stages. Her choreography is deeply rooted in traditional forms, yet transformed by her personal artistry into an elegant, refined, and uniquely expressive style. Bárbara Martín Legal Expert, Social Leader, and Castanet Enthusiast Bárbara Martín holds degrees in Politics and Administration from the Spanish Open University (2018) and Law from the University of Granada (1997). She has also pursued advanced academic and professional training, including: Master’s in Legal Practices and Procedures (2000) Master’s in Managing Small and Medium-Sized Companies (1998) Master’s in Fundraising Management for Non-Profit Organizations (2022) XI Strategic Management and Social Leadership Program, IESE – University of Navarra (2021) Her expertise in European and disability law is reinforced by her participation in several specialized programs, including: 15th Intensive Seminar on the European Union, College of Europe, Bruges (2008) Institutions of the European Union, Spanish Diplomatic School (2007) International Disability Summer School on the CRPD, National University of Ireland (2012) Course on the Rights of Persons with Disabilities, Spanish Open University (2011) Since 2015, Bárbara has served as Vice-President of the European Blind Union (EBU). She currently leads the Coordination Unit for Institutional Agreements and External Collaborations at ONCE, a role she has held since 2019. Fluent in Spanish, English, and Italian, Bárbara is also deeply passionate about the arts. In 2021, she began her castanet studies at the Teresa Laiz International Castanet School, joining the Madrid Castanets Choir in 2022. On September 24, 2023, she became the President of the Teresa Laiz Fan Club, a role that reflects her joy in supporting and celebrating this unique musical art form. Pilar Vita Castanet Performer and Flamenco Arts Enthusiast Pilar Vita, born in Granada, holds a degree in Pharmacy and an MBA, and has completed postgraduate studies at the University of Cambridge. Alongside her academic and professional accomplishments, she has maintained a lifelong passion for traditional flamenco music, singing, and dance, which she began exploring at an early age through classes and amateur performance groups. Pilar has been playing castanets for over 30 years, and in 2022, she deepened her artistic journey by studying under acclaimed castanet soloist and teacher Teresa Laiz. That same year, she joined the Madrid Castanets Choir, founded and directed by Teresa Laiz, where she performs in repertoires spanning classical, Spanish, and popular music. With the Choir, Pilar has performed in distinguished venues such as the Teatro Flamenco Madrid, Teatro Lara, Teatro Reina Victoria (as part of the IX and X International Castanets Festivals), the Royal Monastery of Santa María de El Paular, San Ildefonso Church, and St. Michael’s Church in Brihuega (Guadalajara). She continues to expand her knowledge of flamenco through the Flamenco Vivo program—a comprehensive study of flamenco theory and practice offered by the Flamencology Department of the University of Córdoba. Pilar is also a student member of the International Dance Council CID – UNESCO, reflecting her commitment to lifelong learning and international artistic exchange. She remains an active member of the Castanet Choir of Madrid, contributing to the revitalization and visibility of castanets as a concert instrument. Megan Lee Performer and Member of the Castanet Choir of Madrid Megan Lee is a New York native whose artistic journey began with the study of piano and ballet, leading to early performances in ballets, operas, and musicals. At the age of 17, she joined the Atlanta Ballet Company, and later appeared in New York summer stock and off-Broadway productions. Her career took her abroad to France, where she toured for several years with a French musical group, blending her love of music and stage performance. After some time away from the stage, Megan rediscovered the joy of music and movement through her participation in Teresa Laiz’s Castanet Choir, an unexpected and fulfilling return to her artistic roots. She continues to explore the expressive power of castanets as part of this unique ensemble. Marta Casas Soprano & Castanets soloist Soprano Marta Casas earned her Voice degree from the Escuela Superior de Canto de Madrid and holds a Master’s degree in Musical Research and Performance from Rey Juan Carlos University of Madrid, graduating with highest honors. In 2021, she completed a specialization in Flamencology at the University of Córdoba, receiving a perfect score. In addition to her vocal training, Marta studied violoncello for eight years at the conservatory in her hometown. Alongside her musical career, she holds degrees in Law from institutions in both Spain and Italy (Università Statale di Milano) and a Master’s degree in Public Policy Management from Alfonso X University of Madrid, reflecting her broad academic background. Marta is fluent in an exceptional range of languages, including English, French, Italian, Arabic, Portuguese, German, Galician, Hieroglyphics, and Coptic. She has worked with many of the most distinguished figures in the operatic world, including Josep Carreras, Mirella Freni, Mariella Devia, Ana María Sánchez, Manuel Burgueras, Emilio Sagi, Fernando Balboa, José Miguel Pérez-Sierra, María Bayo, and Delfo Menicucci, studying at institutions such as the Conservatorio Giuseppe Verdi of Milan. Her performance career has taken her to major stages in Spain, Italy, the United States, and Jerusalem, and she has sung for prominent figures, including H.M. Queen Sofía of Spain during her 80th anniversary celebration. Since 2020, Marta has served as a professor at the Higher Conservatory of Music of Castilla-La Mancha. Deeply connected to Spanish musical traditions, Marta completed the full Castanets Method at the Teresa Laiz International Castanet School and is a member of the Madrid Castanet Choir, directed by Teresa Laiz. As both soloist and ensemble singer, she co-founded the Compañía Española de Canto y Palillos with Teresa Laiz. Their collaboration has led to performances in theaters across Spain and internationally, earning two awards at international music competitions. Jenaro Sosa First prize winner in the II International Castanet Competition Jenaro Sosa is a distinguished Mexican dancer, choreographer, director, and teacher specializing in Spanish Dance. He graduated in Classical Ballet from the Yucatán Higher School of Arts and earned a degree in Spanish Dance from the Nellie and Gloria Campobello National Dance School. Since 2014, he has continued his professional training in Spanish dance under the renowned Mexican dancer and pedagogue Pilar Rioja, an experience that has significantly shaped his artistic and pedagogical development. Since 2010, Jenaro has worked extensively as a dancer, choreographer, director, and teacher with various companies and institutions throughout Mexico. His international training includes studies with the Columbus Dance Theater in the United States, under the direction of Seth Wilson and Jaime Kotrba. As a performer, he has appeared on some of Mexico’s most prestigious stages, including the National Autonomous University of Mexico (UNAM), the National Center for the Arts, and the Palace of Fine Arts, as well as venues in the United States and Colombia. Jenaro is currently a professor at the Rioja Academy, directed by Pilar Rioja. In February 2024, he was awarded First Prize at the Teresa Laiz International Castanet Competition, marking a significant milestone in his career. Roxana Prast Castanets soloist Dance Teacher & Castanets Soloist After following the traditional path of castanet performance within dance styles such as Sevillanas, Flamenco, and Escuela Bolera (including studies at the Escuela de Flamenco de Andalucía Course in Lisbon), she chose to deepen her specialization in castanets as a solo concert instrument. She pursued advanced studies with renowned castanets soloist Teresa Laiz, earning an Advanced Castanets Diploma recognized by CID–UNESCO. Alongside her performance career, she studied musical notation and has composed approximately 60 original scores, which form the foundation of her unique teaching methodology. A pioneer of concert castanet education in Portugal, she introduced specialized castanet classes and founded the EFO Castanets Choir (Escola Flamenca de Oeiras). Through this ensemble, she trains advanced students and leads them in performances across a variety of concert settings. She is also a member of the Madrid Castanets Choir, directed by Teresa Laiz, where she regularly performs as a soloist. Paloma Aguado Castanets soloist She holds a degree in Veterinary Medicine and began her artistic journey in flamenco dance as an amateur. In 2018, she discovered her passion for castanets, marking the start of her focused musical path. She completed the entire Castanet Method at the Teresa Laiz International Castanets School and has since developed into an active and dedicated performer. She was a semi-finalist in both the 1st and 2nd editions of the “Teresa Laiz” International Castanet Competition in 2023 and 2024. Her performances have taken place in notable venues including Teatro Lara, Teatro de Flamenco de Madrid, Teatro Reina Victoria (Madrid), Iglesia de San Miguel de Brihuega, Monasterio de Santa María de El Paular, and Iglesia de San Ildefonso (Madrid). She is a member of the Madrid Castanet Choir, directed by Teresa Laiz. Together with fellow choir members, she co-founded the ensemble “Al son de las Castañuelas,” through which they offer altruistic performances in nursing homes, bringing music and joy to communities that may not otherwise have access to live concerts. Reema Ayache Castanets soloist She is a high school student with a strong artistic background, raised in a family that deeply values the arts and music. From an early age, Reema developed her own creative voice, expressing herself through a wide range of artistic disciplines. An award-winning visual artist, she demonstrates strong interpretative and creative skills across multiple media, including drawing, painting, and Persian and Arabic calligraphy. Her artwork has been published in both national and international journals, such as the Global Equality for Medical Care Organization International Journal (Volume I), HopeWorks Howard County (2021), and the Americans with Disabilities Art Contest. In addition, she has been commissioned to design logos for various organizations and groups, create album covers, and produce original artwork sold as stickers. Alongside her visual art, Reema is an active and versatile musician. She plays piano, violin, setar (Persian lute), daf, and flute. She is a member of her high school chamber orchestra, serves as Vice President of the Youth of the World Orchestra, and previously held the position of Membership Chair of her school’s Tri-M National Honors Society. In 2023, she began taking online castanet lessons with Teresa Laiz to further develop skills first introduced through flamenco dance. She has since joined the Madrid Castanet Choir, continuing to expand her artistic and musical horizons. Yara Ayache Castanets soloist Yara is currently a university junior for whom music and the arts have been a central and defining force since early childhood. Raised in a deeply artistic environment, she developed a profound appreciation for creative expression through singing, instrumental performance, dance, and collaborative music-making. Her musical studies span a wide range of instruments, including traditional Persian instruments such as the santoor and tombak, as well as piano, violin, and clarinet. Yara’s artistic and leadership accomplishments include serving as marching band drum major and clarinet section leader, performing as an invited guest at university, community, and international events, participating in the Persian National Music Ensemble, and performing with her high school chamber orchestra at the Midwest Clinic in Chicago (2017). She is also the founder and director of the youth volunteer ensemble Youth of the World Orchestra. Introduced early to the expressive depth of flamenco music, Yara began formal flamenco dance training in 2015. She has studied with renowned artists including Edwin Aparicio, Cristobal Reyes, Domingo Ortega, Rapico, Karime Amaya, Farruquito, Alfonso Losa, and Norberto Chamizo, among others, and has performed with various companies and in numerous venues throughout the DC–Maryland–Virginia (DMV) area. Her castanet journey began within the flamenco tradition and deepened in 2021 when she joined Teresa Laiz’s International Castanet School to further refine her technique and musical understanding. Yara is now a proud member of Teresa Laiz’s Castanet Choir and looks forward to continuing to share this expressive art form on stage alongside fellow artists. Carmen Benayas Castanets soloist She is a retired primary school teacher, specializing in English. From a young age, she has nurtured a deep love for music—especially singing—and has been an active member of various choirs throughout her life. Her introduction to castanets began at a senior center, where the instrument was offered as an activity. What started as curiosity quickly became a passion, inspiring her to pursue further study. This journey led her to Teresa Laiz, her current teacher, with whom she has been refining her castanet technique for the past five years. During this time, she has participated in numerous events and performances in cities such as Seville, Guadalajara, and Madrid. Today, she is a proud member of the Madrid Castanet Choir, directed by Teresa Laiz, continuing to share her love for music and this traditional art form on stage. Lola Bernabeu Castanets soloist Lola holds a Degree in Pharmacy and began her castanet studies in 2022 under the guidance of the renowned castanet soloist and pedagogue Teresa Laiz. That same year, she joined the Madrid Castanets Choir, founded and directed by Teresa Laiz. Under Laiz’s direction, Lola has performed a wide-ranging repertoire—including classical, Spanish, and popular music—at prominent venues such as Teatro Flamenco Madrid, the Royal Monastery of Santa María de El Paular, San Ildefonso Church in Madrid, St. Michael’s Church in Brihuega (Guadalajara), Teatro Lara, and Teatro Reina Victoria in Madrid. She has also appeared at the Castanet Soloists, Masters, and Groups Gala during the IX and X International Castanets Festivals. Lola is a student member of the International Dance Council (CID – UNESCO). In addition to her musical pursuits, she is recognized for her talent in realistic charcoal drawing, reflecting her strong artistic sensibility across disciplines. Ana Cristina Dias Castanets soloist Ana Cristina Dias is a Banking Director whose artistic path has been deeply rooted in flamenco and castanet performance for over a decade. She began her flamenco journey in 2007 at Escola Flamenca de Oeiras (EFO), Portugal, studying Flamenco and Sevillanas and actively participating in all school performances and events. In 2012, she expanded her training to include dances with castanets, focusing on Sevillanas, Flamenco, and later the Bolera School. In 2019, Ana Cristina began specializing in Concert Castanets, performing in numerous shows across Portugal. In February 2023, she represented Coro EFO at the 1st International Castanet Competition in Madrid, organized by Teresa Laiz, where the group reached the semi-finals. Later in April and July 2023, she performed as part of a castanet choir with the Porto Salvo Philharmonic Orchestra. Ana Cristina currently studies at the Teresa Laiz International Castanet School and is a proud member of the Madrid Castanet Choir, continuing to refine her artistry and share the concert castanet tradition on international stages. Carmen Fernández Castanets soloist Carmen Fernández’s professional career spans both direct teaching and educational administration. She worked as a high school professor of Geography and History and later as a Technical Teaching Advisor at the Spanish Ministry of Education and the Ministry of Employment. Upon concluding her professional career, Carmen discovered that her long-standing appreciation for music as a listener could evolve into active musical practice through the castanets, a traditional and accessible instrument. In September 2018, she began her studies with Professor Teresa Laiz and completed the full curriculum at the Teresa Laiz International Castanets School. As a member of the Madrid Castanet Choir, directed by Teresa Laiz, Carmen has participated in numerous concerts across various cities and towns throughout Spain. Together with fellow students from the same school, she has taken part in both the I and II International Castanet Competitions, reaching the semi-final stage on both occasions. Carmen is also a member of the ensemble Al son de las Castañuelas, a group dedicated to performing altruistically in nursing homes, bringing music and cultural connection to senior communities. Carmen Gracián Castanets soloist Carmen Gracián is a retired mother of four whose passion for castanets began in her youth, when she participated in a school competition. Although life led her in other directions for many years, her love for the instrument remained. After retiring, Carmen rediscovered castanets by enrolling in a beginner’s course. Her natural musicality and dedication quickly became evident, motivating her to pursue advanced training under the guidance of renowned castanet soloist and pedagogue Teresa Laiz. Over more than five years of focused study, she refined her technique and developed a strong artistic voice. Carmen has performed in numerous events and participated in both the 1st and 2nd Editions of the International Castanet Competition in Madrid. Her commitment and talent earned her a place in the Madrid Castanet Choir, directed by Teresa Laiz, where she continues to share her passion for this traditional art form with audiences. Karolina Pek Castanets soloist Karolina Pek, known artistically as “La Paprika,” is a Slovak-Canadian music educator and performer currently serving as High School Music Director at Shanghai American School in Shanghai, China. She pursued her musical studies in Vancouver, Montreal, and Prague, training as a pianist and French horn player, and later expanded her expertise through conducting studies in Montreal and Vienna. Her growing interest in flamenco dance and percussion led her to become an active participant in Shanghai’s flamenco scene. A pivotal moment in her artistic journey occurred when a visiting Spanish teacher lent her his grandmother’s castanets for a course—an experience that sparked a lasting passion for the instrument. Since then, Karolina has dedicated herself to the study of concert castanets and is currently pursuing the advanced level at the Teresa Laiz Online International Castanet School. She has performed as a castanet soloist in Shanghai and Mexico City and is a proud member of the Madrid Castanet Choir, directed by Teresa Laiz. Through her work as an educator and performer, Karolina continues to bridge cultures, blending classical training with flamenco tradition and contemporary performance practice. Christina Penney Castanets soloist Christina Penney is an engineer and flamenco dancer originally from St. John’s, Newfoundland, Canada. She was first introduced to the world of concert castanets in 2016, when she was invited to perform Boccherini’s Fandango with a guitar quartet. For this performance, she received coaching from the esteemed Canadian flamenco artist Carmen Romero. During the pandemic, Christina expanded her studies through virtual learning opportunities and, in 2020, began studying castanets for both Spanish dance and concert performance with renowned flamenco artist Esmeralda Enrique. In 2021, Christina enrolled in Maestra Teresa Laiz’s Online International Castanet School, where she is currently in her third year of the intensive program, working toward professional performance and teaching certification. She is also a member of the Madrid Castanet Choir, directed by Teresa Laiz, and actively continues to develop her artistry in concert castanet performance. Luz Ruiz Castanets soloist A lawyer by profession, Luz Ruiz has maintained a lifelong connection to flamenco and the world of dance. From an early age, she actively participated in performances, including appearances on international stages. For the past five years, she has been dedicated to the study of concert castanets at the Teresa Laiz International Castanet School, deepening her technical mastery and musical expression of this traditional Spanish instrument. Luz is a proud member of the Madrid Castanet Choir, directed by Teresa Laiz, with whom she regularly performs, sharing the artistry of castanets with diverse audiences. Irene Valcárcel Castanets soloist Dance & Castanets Teacher, Dancer, Choreographer, Poet, and Writer, Irene Valcárcel is an accomplished teacher of Spanish classical dance, flamenco, classical ballet, folk dances, and ballroom dance, with over 25 years of experience in various teaching centers. She is the founder, director, and principal instructor at Escuela de Danza Irene Zambra, where she has mentored generations of dancers. As a dancer, choreographer, and director, Irene has led Ballet Español Irene Zambra for 15 years, presenting performances in theaters, cultural centers, and concert halls across Spain. In addition to her work in dance, Irene is a poet and writer, having shared her poetry at Spanish poetry associations, universities, cultural centers, theaters, and on national television (TVE). Her work has also been published in cultural magazines and anthologies. Since 2016, Irene has been studying Concert Castanets under Teresa Laiz and is an active member of the Madrid Castanet Choir, directed by Teresa Laiz. Lourdes Vita Administration Manager, Concert Castanets Performer Born in Granada, Lourdes Vita began performing in amateur flamenco dance groups from an early age. She initially played castanets to accompany dance, and in 2022 began studying concert castanets under renowned teacher Teresa Laiz. Lourdes is currently a member of the Madrid Castanet Choir, founded and directed by Teresa Laiz, performing in prestigious venues such as Teatro Lara and Teatro Reina Victoria in Madrid, within the framework of the IX and X International Castanets Festival. She is also a student member of the International Dance Council (CID – UNESCO).

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< Back Previous Duo Cintura-Gerolin Next Gala at Weill Recital Hall at Carnegie Hall November 24, 2025 WATCH VIDEO Duo Cintura-Gerolin – Classical Guitar & Accordion The Duo Cintura-Gerolin, comprising Pietro Maria Cintura (Classical Guitar) and Marco Gerolin (Accordion), is one of the most dynamic and influential emerging acts on the contemporary Italian music scene. Renowned for their innovative approach, the duo seamlessly blends tradition with modern artistry, creating a sound that transcends the boundaries of classical music. Formed by two exceptionally talented musicians, whose combined age is just 45, the duo brings a wealth of experience honed at the prestigious Santa Cecilia Conservatory in Rome. Their distinctive fusion of guitar and accordion has earned them international recognition, positioning them as trailblazers in the evolving world of chamber music. Since their formation, the duo has recorded two critically acclaimed albums, released by Italy’s leading guitar labels, Dot.Guitar and News for Guitar. European critics have praised them as one of the most exciting emerging ensembles of their generation, and esteemed musicians such as pianist Bruno Canino and Sauro Berti, principal bass clarinetist at the Rome Opera House, have described them as “the most influential duos of the new generation.” The duo has toured extensively, performing in renowned concert halls, theaters, and universities across Spain, Italy, Germany, and the United States. Their upcoming participation in prestigious festivals, including the MiTo International Festival, further underscores their growing influence in the global music scene. Special recognition of their artistry includes multiple invitations to perform at the Italian Senate, where they have opened official ceremonies, most recently at the Sala dei Caduti di Nassirya, attended by Italy’s highest cultural authorities. In 2025, they were awarded the Astor Piazzolla International Prize, honoring their innovative interpretations and commitment to both classical and contemporary music. Beyond live performance, the duo regularly appears on RAI, Radio Vaticana, and the BBC, captivating diverse audiences. As dedicated educators, they lead masterclasses and seminars, including at Penn State University, inspiring the next generation of musicians with a focus on contemporary repertoire and advanced guitar techniques. In performance, the Duo Cintura-Gerolin transforms each concert into a vibrant, emotionally charged experience, inviting audiences on a journey that transcends the traditional concert format. As they themselves say: “Our concerts are not just music; they are experiences that leave the audience smiling.” With their extraordinary artistry and unwavering commitment to innovation, the duo is one of the most promising ensembles in contemporary chamber music, destined to leave a lasting impact on audiences worldwide.