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- Katharina Nohl | Sound Espressivo
< Back Previous Katharina Nohl Next Composer Gala at Weill Recital Hall at Carnegie Hall June 30, 2025 WATCH VIDEO I see music through the lens of a pianist, an audience member, a mother, a mentor, a publisher, and a festival organiser. I established a music career that emphasises inclusivity. My musical activity has spanned across Europe and as far as Russia and the Arabian Peninsula. Katharina credits her first piano teacher with opening her ears to Eastern music and the works of female composers. This early inspiration led to her lifelong determination to champion other composers, culminating in the founding of the Swiss Female Composers Festival—a platform for exchange, networking, and the performance of new compositions. In 2002, Katharina moved to Switzerland, where she built a family and began a new chapter in her life. Although her years of traveling slowed down, another exciting and unpredictable journey began. With her two daughters, family, and cats by her side, she continued to perform across Europe and initiated interdisciplinary art projects for children, combining music and visual arts in live concerts. “I loved giving children the chance to experience classical music firsthand and to create lasting memories—this is beautiful,” she says. Encouraged by fellow musicians, Katharina’s interest in arrangement and composition blossomed naturally. Since then, she has written numerous orchestral and ensemble works, arrangements, and piano compositions. Her music has been performed in Russia, Turkey, the UK, Germany, Switzerland, Albania, and beyond. In January 2019, Katharina realized a long-held idea by founding the Swiss Female Composers Festival, dedicated to connecting and promoting women composers. The first piano book of living female composers of Switzerland was published in April 2023 by Universal Edition, with a violin and piano edition planned for 2024. Her Piano Rhapsody “Spices” received the Global Music Award (Silver) in December 2022 for creativity and composition, and her orchestral composition “Rave” for Hackbrett and Orchestra was awarded the Amadeus Composition Award (Silver, Austria, June 2023). The commissioned premiere of Rave took place earlier that year with the Sinfonieorchester Kanton Schwyz, conducted by Urs Bamert and featuring Olga Mischula on Hackbrett and Cymbal. Her composition “September Tango”, honored with the James Adler Audience Favorite Award (USA, June 2025), captures her signature blend of lyricism and rhythmic vitality. Reflecting on her artistic path, Katharina says: "Music has been a constant companion of my life, in various constellations. However much I love music, without enjoying life, I can't enjoy music. Life is the source for the music I make." Recent Premieres — Carnegie Hall, Weill Recital Hall (New York): La Lacrima – Orchestral work performed by the New York Chamber Players Orchestra, June 28, 2025 September Tango – Performed by the Lehner Quartet, June 30, 2025 By the Baltic Sea – Upcoming premiere with Orchestra Manhattan, November 25, 2025 Katharina continues to compose, perform, and advocate for contemporary music, creating works that resonate deeply with audiences around the world.
- Recognition Award
Learn More < Back Recognition Award iClassical Academy provides Recognition Awards to Winners and Participants of Sound Espressivo Auditions and Competitions "We believe that anyone, at any time, should have access to the wonderfully beautiful world of music Our mission is to provide new generations of musicians, from any part of the world, the possibility to improve their skills and enjoy a wide audience" iClassical Academy is based in Switzerland and works with clients globally. This Award is Sponsored by iClassical Academy iClassical Academy is a leader in high-quality and professional online classical music education. Thousands of music professionals, teachers, students, and amateur musicians continuously work on mastering music. iClassical Academy Catalogue contains of The Masterclasses, where Teachers go through a whole composition step by step, recorded with 5 cameras and HD audio The Courses are mainly dedicated to a single subject or topic; The Collections are lists of Masterclasses grouped by Style, Genre, Composer, or Subject The Musical Jewels, special courses dedicated to Music cardinal points, either milestone compositions or musical subjects. They contain real legacies from the most important music teachers in the world 82 Master Teachers View More Visit iClassical Website Previous Next
- John Kaboff | Sound Espressivo
< Back John Kaboff Cello Learn More Videos About John Kaboff, B.M., M.M., studied with Janos Starker at Indiana University as well as Jacqueline DuPre’s teacher, William Pleeth, at the Holland Music Sessions in the Netherlands and at the Britten-Peers Summer School in England. In addition to serving as Mr. Pleeth’s teaching assistant, he studied at the International Academy of Chamber Music (now known as the Kronberg Academy), in Kronberg, Germany, with Arto Noras. A resident of the Washington since 1995, D.C., Mr. Kaboff has performed as recital and concerto soloist locally at The Kennedy Center for the Performing Arts, The United States Department of State, The Corcoran Gallery of Art, The Embassies of Germany, France and New Zealand, The Church of the Epiphany, Dumbarton House and has been a repeat concerto soloist with the JCC Symphony Orchestra and the Landon Symphonette. In 2013, he performed with the Manhattan Symphonie in Carnegie Hall. His concert appearance at Strathmore Hall in North Bethesda, MD was acclaimed by The Montgomery County Sentinel as ”beguilingly lyrical and in “top form”. Internationally, he has performed as recital soloist in the Kleinezaal of the Concertgebouw in Amsterdam, The Cologne Museum of Modern Art, Frankfurt Museum of Contemporary Art and The Adelaide Towne Hall. He frequently performs chamber music with various colleagues known as the Nottingham Ensemble and is currently the Director of Chamber Music for The Capital Symphonic Youth Orchestra. Mr. Kaboff is a highly successful private teacher of pre-college age students who frequently garner prizes in local and regional cello competitions. Most recently, his students took top prizes in all levels of the 2016 Washington Performing Arts Society competition. In 2015 two students were prizewinners at the American Protégé Competition, resulting in Carnegie Hall, Weil Recital Hall debut recitals. In 2015 and 2016, his students have been featured in the Classical Spotlight Showcase for Maryland Public Television. His former students matriculate from highly competitive music schools such as the Curtis Institute, Indiana University, the University of Michigan, the Cleveland Institute of Music and the Mannes College of Music with substantial merit scholarship. They have held positions in the Baltimore Symphony, Austin Symphony, Aspen Music Festival, Castleton Music Festival and other European orchestras. In 2018, His 6 year old student appeared in concert at Weill Recital Hall in Carnegie Hall in New York City as a prize winner of the Concert Artists International Competition. In 2019, the chamber music ensembles he coaches under the auspices of The Capital Symphonic Youth Orchestra will appear in concert at the Kennedy Center, Millennium Stage. His students' cello ensemble, known as the Bow Lightlys, were featured guest artists at the World Cello Congress III (2000), where they were featured in an internationally broadcast cello ensemble workshop with world famous cellist, Yo-Yo Ma which then resulted in a cello choir concert at the Sixth American Cello Congress (2001) as part or Mr. Kaboff’s appearance as a guest lecturer. They performed at the 2014 Tennessee Cello Workshop and will reappear in 2020. The Bow Lightlys have been featured in concert on live radio broadcast in Washington, DC. They have also performed cello ensemble concerts at the Embassy of France, Almas Shriner’s Temple as well as many local religious centers. They often perform at charity events for the American Diabetes Association. As a way to share their musical expression, the Bow Lightlys also perform at senior living centers as to bring music to the homes of those who might not be able to enjoy otherwise. Mr. Kaboff is a frequent judge at local and regional competitions. He has also adjudicated the preliminary competition rounds at the 2000 Third World Cello Congress’s Master Class Competition, 2006 and 2012 Washington International Competition. He has assumed the role as chairman of the Washington International Competition for Strings (2022). As a frequent guest lecturer, he has conducted master classes and performed at the Flinders Street Conservatorium in Adelaide, Australia, Purcell School of Music in London, England, Indiana University Summer String Program, Michigan State University, Longy School of Music in Boston, The Music Academy of North Carolina and the Universities of Texas (Rio Grande Valley), Tennessee and Rhode Island. He was in artist in residence in 2011and 2019 at Appalachian State University and was a featured artist at the 2010 Tennessee Cello Workshop. Mr. Kaboff has earned Suzuki certification through level 10 and was invited by the Suzuki Association of Australia to conduct workshops, master classes and solo recitals in Melbourne and Adelaide, Australia. He has received accolades for his teaching by numerous world-class cellists such as Yo-Yo Ma and Janos Starker and has been the feature of numerous articles in such publications as the Washington Post, The Baltimore Sun, The Washington Jewish Weekly, The Vienna (VA) Connection and The Montgomery Journal. Yo-Yo Ma, also notes him in a biography about him entitled, “Musicians With a Mission” , as being a superb teacher of young children. Musicians with a Mission Previous Next
- Patricio Cadena Pérez
Patricio Cadena Pérez 🇫🇷 France GUITARIST < Back Patricio Cadena Pérez 🇫🇷 France GUITARIST Previous Next Patricio Cadena Pérez 🇫🇷 France GUITARIST Patricio Cadena Pérez started playing classical guitar in Ecuador, his homeland. A few years later he joined France to learn musical reading and analysis at the Paris. He also learned how to perform from the Argentinian concert artist Roberto Aussel, the Uruguay master Carlevaro and the British lute player Terence Waterhouse. His own research lead him to develop his own technique of playing the instrument. A trained composer, he entered for IRCAM (Institut de Recherche et Coordination Acoustique/Musique) in Paris, EMS (Electroacoustic Music in Sweden) in Stockholm and attended Pierre Boulez' courses at the Collège de France.
- Nayoung Kim & Nayoung Lee
Nayoung Kim & Nayoung Lee < Back Nayoung Kim & Nayoung Lee Previous Next Nayoung Kim & Nayoung Lee 🇰🇷 South KoreaVIOLINIST & CELLIST DUO Nayoung Kim (born August 18th, 1992) is South Korean violinist. Professional solo debut at age 13th with Daegu Philharmonic Orchestra. She has given solo performances at venues such as Philadelphia Kimmel Center. She won the competition which is The New York international competition, New York stars international music competition, American Talent international competition, Canada Quebec international music competition, Canada Montreal Royal sound international music competition 1 prize and 2 prized at Italy Cremona violin solo competition and Chicago international music competition. Nayoung Kim received her bachelor’s degree at the most reputable conservatories in South Korea which are Korea National University of Arts. She earned her Artist diploma at the University of Cincinnati. Since she won the Barber violin concerto competition and had won a concert with the University of Cincinnati Philharmonic orchestra. Nayoung is currently in the master’s Music Program as the recipient of George W. Miles's full Scholarship and Stanley Knight's fellowship at the Yale School of Music studying with Murray Tai. Nayoung was selected as a string fellowship at Aspen Music Festival and School, West of Music festival. Ms. Nayoung has also studied with world-class professors such as Hyo Kang, Sung-Ju Lee, Murray Tai, Won-bin Yim. Nayoung Lee is one of the Soloist K member in the Korea. She did her undergraduate at Kei-Myung University. While she studied at Kei-Myung university she was the principal orchestra player for 4 years. After earned undergraduate degree, she went to Ewha- women's university for her master's degree. She played as soloist with Rumania Philharmonic Orchestra of Bacau and Moscow National symphony orchestra. She also in Korean Broadcasting system(KBS) "On Wings of Song".
- SEC Rachmaninoff
3 < Back SEC Rachmaninoff Sound Espressivo invites Musicians of All Ages to celebrate Live Music Performance by participating in the Application Deadline March 2, 2024 at 4:59:00 AM Apply Regulations Celebrating the Life and Music of Sergei Rachmaninoff (1873-1943) For the FULL Description please visit Rachmaninoff Competition main page Open to Pianists and Vocalists Apply by March 1, 2024 Submit a video of your performance of ONE composition by Sergey Rachmaninoff Live Finals Audition DATES: April 5-12, 2024 Suggested Repertory by Rachmaninoff Piano - S olo, Concerto, Chamber Ensemble Voice - Art Songs ( Romances ), Operatic Arias(with or without accompaniment) If selected for LIVE Final Audition Perform ONE or TWO compositions by Sergei Rachmaninoffon LIVE Public Internet TV Broadcast Receive on-air comments from Judges right after your performance For the FULL Description please visit Rachmaninoff main page Previous Next
- Philippine Philharmonic Orchestra
< Back Application Deadline September 30, 2025 Previous Apply Next Philippine Philharmonic Orchestra Selected Soloists will be presented at the colORCHESTRA concert with the Philippine Philharmonic Orchestra in Pasay City, Philippines, at the Cultural Center of the Philippines, CCP Complex, Roxas Blvd., Pasay City, Philippines under the baton of Maestro Grzegorz Nowak. Concert dates - during 2025-26 concert season. Rehearsals with Philippine Philharmonic Orchestra will be scheduled 3 days prior to concert date. The concert will be Broadcast Live by Virtual Concert Halls on various public channels on YouTube, Vimeo, Facebook, LinkedIn, Twitter, Twitch, among other platforms Video of the concert will stay available for playbacks on the channels. Soloists will participate in interviews for media and other activities associated with the event. ~~~~~~~~~~~ Important dates: Application deadline - see dates on the website. October 2024, January 2025 - Live Auditions Finals. Broadcast on video and social platforms. Meet the Judges and the Conductors. Streaming technology seminar in preparation for Live Audition - prior to performing LIVE. ~~~~~~~~~~~ No age restrictions. Any instrumental Concerto, a single movement, or Aria accepted. Standard Concertos and Arias Meet the Orchestra The Philippine Philharmonic Orchestra (PPO) is the country’s leading orchestra and is widely regarded as one of the top musical ensembles in the Asia-Pacific region. The Philippine Philharmonic Orchestra was established on May 15, 1973 as the CCP Philharmonic Orchestra and was initially intended to accompany performing artists at the CCP Theater. The PPO’s first music director was Prof. Luis Valencia with Julian Quirit as concertmaster. In 1979, then First Lady Imelda R. Marcos asked Prof. Oscar C. Yatco to reorganize the orchestra. Three years later, the Philippine Philharmonic Orchestra was born with a new vision – to be ranked among the best in the world. The PPO has performed with many of the world’s renowned conductors that include Mendi Rodan, Piero Gamba, Enrique Batis, Sebastian Bereau and Nicholas Koch. It has also performed with the best foreign and Filipino artists such as Van Cliburn, Renata Tebaldi, Judith Engel, Anthony Camden, David Benoit, Cecile Licad, Raul Sunico and Lea Salonga. The PPO has toured Europe in 2001 and has participated in the Asia Orchestra Week in September 2002 held at the Tokyo Opera City Hall upon the invitation of the Association of Japanese Symphony Orchestras. It has performed at Bangkok’s National Theater in September 2004 upon the invitation of Her Royal Highness Princess Galyani Vandhana of Thailand. The PPO has premiered Filipino compositions and has featured works by foreign composers not yet performed in the Philippines. It continues to promote music appreciation through outreach concerts in schools, parishes, government agencies and underserved communities in Metro Manila and in different regions in the country Meet the Conductor Previous Next "Outstanding… in every way this matches and even outshines the superb account which Sir Georg Solti recorded with the Chicago Orchestra on Decca… the vitality of the piece is superbly caught."-Gramophone Magazine, London "Outstanding… in every way this matches and even outshines the superb account which Sir Georg Solti recorded with the Chicago Orchestra on Decca… the vitality of the piece is superbly caught."-Gramophone Magazine, London Learn More Application and Audition Process Application form is DUE by the posted DEADLINES throughout the season. Upload video of any piece (with or without accompaniment). YouTube or Google Drive links are accepted Application fee $75 Selected musicians will be invited to audition live on a public Internet TV Broadcast* and will receive a preparation tech session with VCHS Broadcast Engineers. You will meet the Judges during Live Audition. Live Auditions are held virtually. Live Auditions are judged in real time. Judges provide participants with immediate on-air feedback. During the live audition participants will be able to speak with Judges. • The judges’ decisions are final and may not be contested. • To participate in the live online auditions, each musician must prepare required technical setup Live Audition Fee - $250 *Fee includes the Technology Preparation session with A/V and Broadcast engineers You will be notified about your acceptance into the colORCHESTRA program Fees Application and video pre-screening - $75 Live Audition - $250 Performance - NO FEE ($0) Selected soloists are expected to cover their own travel expenses. Upon request colORCHESTRA provides supporting documentation for selected soloists' visa applications. Selected soloists may request press releases, letters of recommendation, confirmations of their participation in the concert, in support of the soloist's grants applications. Apply Standard Concertos and Arias The Cultural Center of the Philippines The Cultural Center of the Philippines was created in 1966 with the purpose of promoting and preserving the best of Filipino arts and culture. Since then, the CCP has sought to embody the values of katotohanan (truth), kagandahan (beauty) and kabutihan (goodness). The CCP has been at the forefront of culture and the arts for over 50 years and continues to work with the government, business, academe, and international community for a thriving local creative industry that respects tradition, spurs innovation, increases social awareness, and enriches the Philippine brand and economy. The best artists from all over the country and around the world have enthralled Filipinos onsite (at the CCP venues), offsite (at regional venues) and online. Performing companies representing dance, music and theater reside within the CCP. It has four resident dance companies: Ballet Philippines, Philippine Ballet Theatre, the Ramon Obusan Folkloric Group and the Bayanihan Philippine National Folk Dance Company. Tanghalang Pilipino is the CCP’s resident theater company while music is represented by the Philippine Philharmonic Orchestra, the UST Symphony Orchestra, the Philippine Madrigal Singers and the National Music Competitions for Young Artists Foundation (NAMCYA). The CCP also covers the film and broadcast arts, as well as the literary and visual arts, encouraging the growth of aspiring artists in these fields through numerous workshops, seminars, anthologies, exhibits, symposia as well as competitions and awards. In line with its mission to support creative entrepreneurship, the CCP created the Virgin Labfest for untried, untested, and unstaged plays and is a leading force behind The Cinemalaya Independent Film Festival. Its Arts Education Program nurtures the next generation of artists and the audiences who will support their work through training, exposure and audience development activities. The Cultural Content Program develops engaging content for digital formats and new technologies. Through its Cultural Exchange Program, the CCP supports the growth and development of arts councils all over the country through relevant workshops and seminars. Through exchange programs with these organizations and with other institutions, Filipinos have been able to glimpse the beauty of different cultures from various countries, witnessing many a triumphant performance from highly-acclaimed artists all over the world. The CCP continues to emphasize the Filipino pagmamalasakit (compassion) in its programs that highlight the virtues of galing , galang and dangal (excellence, respect and integrity), reaffirming its commitment to the growth and development of the Filipino nation and its arts and culture.
- Auditions | Sound Espressivo
Apply Laureate Gala Auditions for an opportunity to perform at Weill Recital Hall at Carnegie Hall Apply Open to All Instrumentalists, Vocalists, Ensembles, Conductors, Composers Concert Season at Weill Recital Hall at Carnegie Hall: November 24, 2025, at 7:00pm November 25, 2025, at 7:00pm February 16, 2026, at 7:00pm February 19, 2026, at 7:00pm April 28, 2026, at 7:00pm June 28, 2026, at 1:00pm June 30, 2026, at 7:00pm Audition to perform Solo or Ensemble Concertos and Arias, new music by living composers with Orchestra Manhattan, David Wroe, conductor New York Chamber Players Orchestra, Giacomo Franci, conductor Download Consent Download Regulations UPCOMING AUDITIONS SCHEDULE 2025-26 October 18-21, 2025. Concert Season at Weill Recital Hall at Carnegie Hall and Recordings with Orchestra Manhattan, Lehner Quartet. Soloists, Composers, Ensembles. December 12-15, 2025. colORCHESTRA for performance and recordings opportunities with orchestras worldwide. Soloists, Composers. January 31, 2026 - February 3, 2026. Concert Season at Weill Recital Hall at Carnegie Hall and Recordings with Orchestra Manhattan, Lehner Quartet. Soloists, Composers, Ensembles. March 13-16, 2026. colORCHESTRA for performance and recordings opportunities with orchestras worldwide. Soloists, Composers. May 8-11, 2026. Concert Season at Weill Recital Hall at Carnegie Hall and Recordings with Orchestra Manhattan, Lehner Quartet. Soloists, Composers, Ensembles. June 13-16, 2026. colORCHESTRA for performance and recordings opportunities with orchestras worldwide. Soloists, Composers. Learn More Learn More Learn More Learn More Learn More Learn More Learn More Learn More Four Seasons of Galas O UR STORY Laureates' Journey to Performance in New York Cit y at Weill Recital Hall at Carnegie Hall Hosted by STEVE ROBINSON, the world renowned producer of classical music radio programs SEE FULL BROCHURE Carnegie Auditions Play Video Play Video 35:56 Announcing Winners of Auditions for Gala at Weill Recital Hall at Carnegie Hall Announcing Winners of Auditions for Gala at Weill Recital Hall at Carnegie Hall held live on our previous Broadcasts on April 29 - May 2, 2023 Musicians were auditioning for an opportunity to perform at the Weill Recital Hall at Carnegie Hall, in Gala concerts in New York City. The Gala Auditions are organized by Sound Espressivo, Progressive Musicians, and Virtual Concert Halls. Auditionees from many countries are seeking guidance and support from the Judges, through live comments which you will hear after each performance The Sound Espressivo Global Competition is an online, live-streamed competition. It combines a competition and live performance experience. Progressive Musicians is an organizer of many competitions and concerts at prestigious venues like Carnegie Hall. Virtual Concert Halls is an Internet TV broadcaster providing artists with a virtual stage and ability to reach audiences beyond the walls of conventional concert halls. The goal of these Auditions is to encourage, nurture, and reward musicians who are proactive about sharing their art and developing their careers. Sound Espressivo and Progressive Musicians together are providing opportunities for musicians to discover their unique artistic voice, take initiative, present themselves on their own terms, and carve out their own career paths. Thank you Judges! Gr 1 - Avguste Antonov. Masterclasses in Italy. Talent Summer Courses Gr 2 - Emil Chudnovsky Gr 3 - Vera Danchenko Gr 4 - Giacomo Franci Gr 5 - Giacomo Franci Gr 6a - Avguste Antonov Gr 6b - Avguste Antonov Gr 7 - Giacomo Franci Gr 8 - Giacomo Franci Gr 9 - Giacomo Franci Gr 10 - Avguste Antonov and Vera Danchenko Gr 11 - Gevorg Sargsyan and Emil Chudnovsky ~~~~~~~~~~~~~~ These public broadcasts are brought to you by Virtual Concert Halls: Anna Ouspenskaya, Igor Zubkovsky, Frane, Rusinovich, James Welch, Fedor Ouspensky, Ante Bozc-Kudric, Chris Au. These programs are offered to public free of charge. https://virtualconcerthalls.com/ https://www.soundespressivocompetition.com/ https://www.soundespressivocompetition.com/ Play Video Play Video 02:30:17 Laureates Gala Auditions Group 11 Laureate Gala Auditions April 29 - May 2, 2023 Candidates present their chosen programs to International Panel of Judges, for an opportunity to perform at Weill Recital Hall at Carnegie Hall. Instrumentalists, Vocalists, Ensembles & Composers. Concertos and Arias to be performed with New York Chamber Players Orchestra, Giacomo Franci, conductor. Program: Tuesday May 2 GROUP 11 12:00pm-2:00pm Recitalists Yiqun Zhao, Flute, United States 6:36 - Cecile Chaminade - Concertino for flute, Op. 107 Christopher Rocha, Piano, United States 17:54 - Chopin - Waltz in B Minor Op. 69 No. 2 Valerija Iljinaite, Voice (dramatic soprano), United Kingdom 25:20 - Tchaikovsky - Liza’s aria from queen of spades 29:50 - Rosephanye Powell - Dying from ‘Then, Here and Now’ Chinnawat Themkumkwun, Guitar, Austria 38:49 - Olga Amelkina-Vera (b. 1976) - Western Vista Vlad Krik , Composer/Pianist, Germany 1:01:49 - Vlad Krik - NEW AGE 2022 Marcio Candido, Violin, USA 1:14:41 - Paulo Bosisio Aboio - e Dança Negra for solo violin Sophie Lu, Cello, United States 1:33:40 - David Popper - Hungarian Rhapsody op 68 Janelle Bai, Piano, USA 1:47:30 - R. Shchedrin - A la Albeniz Francesca Bartolo, Voice (Mezzo-Soprano), London, United Kingdom 51:44 - G. Rossini - Cruda Sorte!….agio so per pratica Produced and presented by Progressive Musicians, Sound Espressivo, and Virtual Concert Halls Play Video Play Video 02:30:10 Laureates Gala Auditions Group 10 Laureate Gala Auditions April 29 - May 2, 2023 Candidates present their chosen programs to International Panel of Judges, for an opportunity to perform at Weill Recital Hall at Carnegie Hall. Instrumentalists, Vocalists, Ensembles & Composers. Concertos and Arias to be performed with New York Chamber Players Orchestra, Giacomo Franci, conductor. Program: Monday May 1 GROUP 10 9:00am-11:00am Recitalist Candidates Courtney Daniels and Narmina Sultanova, Voice, US 14:22 - S. Moniuszko - Halka's Aria Bruce Leto, Jr., Piano, United States 29:30 - Maurice Ravel - Valley of the Bells Anna-Thérèse Mehra, Piano, USA Liszt - Un Sospiro Jelena Stefanic, Voice/Soprano, Croatia 43:37 G. Puccini - La Boheme / Donde lieta, Mimi's aria Neel Perdue, piano, USA 2:05:26 - E. Grieg - Wedding in Troldhaugen 2:11:22 - F. Liszt - Consolations Patricio Cadena Perez, Guitar, France 1:25:37 - Francisco Tárrega - Recuerdos de la Alhambra 1:29:30 - Antonio Lauro - Valse N° 3 Jed Wei, Piano, USA 1:47:33 - Franz Liszt - Liebestraum no. 3 1:42:44 - Frédéric Chopin - Nocturne in C# Minor Venicia Rasmussen, Voice, Germany 56:40 - Mozart - Come scoglio , from 'Cosi fan tutte' 1:03:30 - Puccini - Un bel del vedremo, 'Madama Butterfly' Produced and presented by Progressive Musicians, Sound Espressivo, and Virtual Concert Halls Play Video Play Video 41:47 Laureates Gala Auditions Group 9 Laureate Gala Auditions April 29 - May 2, 2023 Candidates present their chosen programs to International Panel of Judges, for an opportunity to perform at Weill Recital Hall at Carnegie Hall. Instrumentalists, Vocalists, Ensembles & Composers. Concertos and Arias to be performed with New York Chamber Players Orchestra, Giacomo Franci, conductor. Program: GROUP 9 9:00pm-10:00pm Concertos and vocal works with ORCHESTRA Yiqun Zhao, Flute, United States Carl Philipp Stamitz - Flute Concerto in G major, Op.29 George Cheng, piano, U.S. 3:43 - Mozart - Concerto No.27 in B flat Major, K.595, III. Rondo Allegro Andrew Chukwuka Egbuchiem, Voice Countertenor, United States 24:50 - Antonio Vivaldi - Nel profundo cieco mondo 30:30 - George Fredrick Handel - Amor tiranno amor Produced and presented by Progressive Musicians, Sound Espressivo, and Virtual Concert Halls Play Video Play Video 01:30:54 Laureates Gala Auditions Group 8 Laureate Gala Auditions April 29 - May 2, 2023 Candidates present their chosen programs to International Panel of Judges, for an opportunity to perform at Weill Recital Hall at Carnegie Hall. Instrumentalists, Vocalists, Ensembles & Composers. Concertos and Arias to be performed with New York Chamber Players Orchestra, Giacomo Franci, conductor. Program: GROUP 8 7:00pm-8:30pm Concertos and vocal works with ORCHESTRA Joel Chen, piano, United States 8:03 - Mozart - Piano Concerto No 22, Movement 1 Susan Dantoni and Jan Koler, piano/cello, USA 16:43 - Faure - Elegy Susan - Dantoni and Cecelia Guerra, piano/soprano, USA 27:30 - Samuel Barber - St. Ita’s Vision Julio Reyes, Guitar, United States 34:08 - Antonio Vivaldi - Concerto in D Stacey Stofferahn, Voice, United States 47:40 - Lowe Finney - "Longing" Lori Qian, Piano, USA 56:08 - Beethoven - Concerto No. 2 Allegro con brio Produced and presented by Progressive Musicians, Sound Espressivo, and Virtual Concert Halls Play Video Play Video 01:18:57 Laureates Gala Auditions Group 7 Laureate Gala Auditions April 29 - May 2, 2023 Candidates present their chosen programs to International Panel of Judges, for an opportunity to perform at Weill Recital Hall at Carnegie Hall. Instrumentalists, Vocalists, Ensembles & Composers. Concertos and Arias to be performed with New York Chamber Players Orchestra, Giacomo Franci, conductor. Program: GROUP 7 5:30pm-7:00pm Concertos and vocal works with ORCHESTRA Elaine Sara Lim, Piano, United States 7:36 - Mozart - Piano Concerto in A Major K488, 3rd Movement Harry Chen, Piano, United States 24:26 - Kabalevsky - Piano Concerto No 3 (Youth Concerto) in D Major, 2nd Movement Louise Ting, Piano, USA 37:33 - J. Haydn - Concerto in C major Tristan Zhu, violin, United States Ludwig van Beethoven - Violin concerto in D Major, Mvt 1 Sofia Baturina, Piano, USA 57:10 - Saint Saëns - Piano Concerto No. 2 Olivia Zhang, Piano, United States 47:48 - Haydn - Concerto in D Major, Mvt III, Rondo all'ongharese-Allegro assai Produced and presented by Progressive Musicians, Sound Espressivo, and Virtual Concert Halls Play Video Play Video 01:28:58 Laureates Gala Auditions Group 6B Laureate Gala Auditions April 29 - May 2, 2023 Candidates present their chosen programs to International Panel of Judges, for an opportunity to perform at Weill Recital Hall at Carnegie Hall. Instrumentalists, Vocalists, Ensembles & Composers. Concertos and Arias to be performed with New York Chamber Players Orchestra, Giacomo Franci, conductor. Produced and presented by Progressive Musicians, Sound Espressivo, and Virtual Concert Halls Program: GROUP 6b 2:30pm-4:30pm Piano Recitalists Ximurong Zhai, Piano, Canada 10:53 - Charles Griffes - Fantasy Pieces - Scherzo Vignesh Rajagopalan, Piano, United States 20:36 - Mozart - Sonata No. 11 in A Minor,, K. 331 Tiger Stepinski, piano, USA 28:47 - Sergei Rachmaninoff - Etude OP 39 NO 6 Andrew Khayms, Piano, USA 36:15 - Chopin - Polonaise in D minor, Op. 71 No. 1 Daniel Lee, Piano/Composition, US 52:40 - Daniel Lee - Rise William Sun, Piano, US 1:01:02 - Fazil - Summer time Variations Bonnie Zhou, Piano, United States 1:11:10 - Michael Glinka - The Nightingale Variation Play Video Play Video 01:20:19 Laureates Gala Auditions Group 6A Laureate Gala Auditions April 29 - May 2, 2023 Candidates present their chosen programs to International Panel of Judges, for an opportunity to perform at Weill Recital Hall at Carnegie Hall. Instrumentalists, Vocalists, Ensembles & Composers. Concertos and Arias to be performed with New York Chamber Players Orchestra, Giacomo Franci, conductor. Program: GROUP 6a 12:00pm-2:00pm Piano Recitalists Jia Li, Piano, USA 10:48 - Chopin - Nocturne Op. 9. No. 2 in Eb Major 14:59 - Mozart - Rondo Alla Turca Maggie Chen, Piano, United States 21:37 - MacDowell - Witches Dance Kristina Henckel and Amanda Virelle, Piano Duo, United States 29:01 - Sergei Rachmaninoff - Barcarolle from Six Pieces Op. 11 Antian Jiang, Piano, Canada 41:20 - Franz Liszt - La Campanella in G-sharp minor Alexis Dyche, Piano, USA 52:02 - Frederic Chopin - Impromptu, Opus 29 56:03 - Aaron Copland - The Cat and the Mouse Erin Chen, Piano, United States 1:05:52 - Chopin - Fantaisie-Impromptu In C-Sharp Minor, Op. 66 Produced and presented by Progressive Musicians, Sound Espressivo, and Virtual Concert Halls Previous Gala videos The New York Chamber Players Orchestra under the baton of Maestro Giacomo Franci is featuring world class soloists from US, Europe, Canada, Asia Premieres of newly composed works; recital soloists, and ensembles. SPECIAL GUESTS Maestro Giacomo Franci Music Director of New York Chamber Players Orchestra New York Chamber Players Orchestra Steve Robinson Honorary Host Susanna Kolker Guest Artist James Adler James Adler Audience Favorite Award James Adler Audience Favorite Award Jennifer Savage Gala Staff Collaborative Pianist Jennifer Savage is a pianist, professional accompanist and collaborator based in New York and the DC area as well as Program Coordinator and Administrator Assistant at the Summit Music Festival. She received her Master Manhattan School of Music, New York, previously studying at the MSM Precollege and with Dr. Anna Ouspenskaya at the Levine School of Music. An avid performer, Jennifer has appeared as a soloist with the Virtuosi Brunensis orchestra and at prestigious venues such as the Kennedy Center in Washington, DC, Kaufman Center's Merkin Hall, historical Palazzo dei Priori in Perugia Italy, the DiCapo Opera Theater in New York, and the Kimmel Center in Philadelphia. Meet the Gala Performers
- Application 2023-24 | Sound Espressivo
Sound Espressivo 2023-24 Season Application Form Please fill out an Application Form below. Click on a button with the name of your Audition or Competition. The button takes to the Application Form for that event. Read the Regulations, fill out required fields and check required boxes. Looking forward to receiving your Application and Video! Apply to Carnegie (Solo, Ensemble) Apply to Carnegie (with Orchestra) Apply to Carnegie as Composer Apply to colORCHESTRA with Orchestras Laureate Gala at Carnegie Regulations Consent Form
- Alla Lowery | Sound Espressivo
< Back Alla Lowery Piano/Composer Learn More Videos About Alla Lowery (Krymskaya) started her classical piano education at the age of 4 under her mother, Svetlana Krymskaya , who is remembered as a professional concert pianist and accompanist, a college professor, and a brilliant musicologist on the concert stage, on radio and TV in Russia for over forty years. Alla’s first performance on the local TV studio in Kazan, Russia, Tataria, took place in 1964, when she was 6 years old. At the ages of 10 and 12 Alla was on TV again as a performer, artist and composer. Later in her life Alla was featured on TV a number of times as an author of educational programs as well as a performer. A.Lowery's Resume - Download 2020-2021 MHIMA Awards nomination Alla Lowery earned her bachelor’s degree in classical piano from Kazan State Music College in 1977, and master’s degree in classical piano from Kazan State Conservatory (Academy) in 1983 (the same State musical institution the famous Russian composer Sofia Gubaidulina graduated from). After graduation she worked for about 15 years as a professor of classical piano performance and ensemble, accompaniment, and piano pedagogy at the State music colleges in Russia and Lithuania, concurrently working as an accompanist there as well. She played in chamber ensembles, accompanied solo instruments, vocalists and choirs for more than two decades. She worked 10 years at Yarolavl Governor’s Academic Symphony Orchestra as a full-time pianist and chief manager of its chamber ensembles. In 1997 the orchestra purchased Ensoniq KT88, and that was Alla’s first close encounter with a synthesizer. Just around that time Alla had a part-time job as a music teacher at the School for Little Ones (a subdivision of the Provincial College of Yaroslavl) , a very loved and famous in the city preschool institution for children aged 3-6. Her first experiments at composing and arranging on the synthesizer were designed for her work with the children at the school. Quirky, cartoonish and children’s music still has a special place in her heart. In late 2000ths, after more than 30 years of successful career of a classical pianist in Russia and Lithuania, Alla Lowery started working extensively with MIDI and samples, and it eventually became her next specialty. Her life-long professional experience and practical knowledge of the sound of acoustic instruments helped her with mimicking them in MIDI. She has become proficient in working with high-end sample libraries in Cubase. Since immigrating to the USA in 2005, Alla Lowery continues her work as a private piano teacher, a composer, and a MIDI engineer, taking interest in computers, and producing videos on the side. During last years she has created dozens of pieces in different styles, including a Suite for oboe and symphony orchestra, a number of pieces for piano duet and solo, a collection of pieces for ballet accompanists “The Elements of Ballet”, renditions of famous classical compositions, pieces for oboe, strings, etc. In 2013 Alla Lowery’s Siciliana for oboe and orchestra was performed an the Chamber Hall of Ryazan State Philharmonic, Russia. In 2014 Alla Lowery worked with Music Mind Games , making music and designing sounds for Rhythm Solitaire app . Alla collaborated with a number of American musicians and groups, such as TransAtlantic Duo , Capital Kapustnik , Vladimir Gamarnik and Yulia Petrachuk , among others, creating custom renditions and medleys of various pieces. Alla Lowery, now a naturalized citizen of the USA, lives in North Potomac, Maryland, USA with her husband Charles and sons Eugene and Kirill.Sources in Russian: http://svetkrym.esy.es/daughter.htm https://www.chayka.org/authors/alla-krymskaya-lauri Previous Next
- Virtuosity | Sound Espressivo
Are you a virtuoso? Find out here! Sound Espressivo is the first online LIVE streaming Competition for classical musicians of all ages. Contestants and judges focus on unique artistry of every performer, awarding prizes offered by music management companies. Virtuosity Impress with your technique and astonish with your thrilling spark! In-Depth Virtuosity is all about exciting and impressing the audience with a multitude of things artistically mixed together including speed, technique, accuracy, and different types of intensity of expression. The more virtuosic your performance, the more the audience will be captivated by your playing leaving an unforgettable star-like impression and a burst of excitement at the end! General Criteria Faster Tempos - these create large momentum and therefore a sense of danger in loss of control, therefore bringing excitement through the music Remarkable Accuracy - pushing the limits of playing is only remarkable if the player stays in full capability and stability. Challenging Choices - choice of more difficult options technically for purpose of both impression and no less musical cleverness. These may include certain changes in fingerings, bowings, etc. Dramatic Expression - the most striking resemblance of a virtuoso is their ability to drastically switch between different moods and modes of music with ease. Will be on the look out for this. Star-like Presence - visual presentation of the music can play a big role in impressing the audience as a virtuoso. An "own the stage" presence is extremely effective and plays a big role here.
- ELÖD AMBRUSZ, Young Composer-in-Residence
Learn More < Back ELÖD AMBRUSZ, Young Composer-in-Residence Elöd has honed his skills through extensive practice, taking part in masterclasses of esteemed pianists such as Attila Nemethy, Gabor Farkas, Kalman Drafi, Josef Anton Scherrer, Henri Sigfridsson, Lisa Yui, Vadim Palmov, Eugene Alcalay and successful participation in various concerts and competitions ELÖD AMBRUSZ, Young Composer-in-Residence 00:00 / 01:04 Learn More Elöd Ambrusz, a highly skilled and accomplished pianist who has dedicated his life to music production, education and performance. Starting his journey at the young age of seven, Elöd has honed his skills through extensive practice, taking part in masterclasses of esteemed pianists such as Attila Nemethy, Gabor Farkas, Kalman Drafi, Josef Anton Scherrer, Henri Sigfridsson, Lisa Yui, Vadim Palmov, Eugene Alcalay and successful participation in various concerts and competitions, including a solo concert in the Müpa Budapest and the Virtuózok! live television contest. His dedication and passion have led him to be accepted into one of Europe's premier institutions for music education, the Hochschule für Musik und Tanz Köln, where he began his academic solo piano studies with Prof. Dr. Florence Millet in 2017. Over the years, Elöd has had the opportunity to participate at the Young Euregio Piano Competition, where he received the second prize. He has also had the privilege to perform in notable events, such as the Beethoven Award Ceremony of Igor Levit, which was broadcasted by Deutschlandfunk Kultur, and even had the chance to give an interview about human rights and the political situation about migration at that time. Elöd has also had the opportunity to participate in the production of the opera composed by Gluck: Orpheus and Eurydice, as the main assistant for the conductor Michael Hofstetter, as an accompanist for the singers such as Valer Barna-Sabadus and the dancers of the Pina Bausch Tanztheater and also as the cembalo player in the Wuppertaler Sinfonieorchester and guest artist in the Händel Festspielorchester. He has also had the privilege to go on stage at the Klavierfestival Ruhr in Essen and tour with the EchoSpore chamber orchestra in Prague, Cologne, Solingen, and Wuppertal. He even gave an interview to the Westdeutscher Rundfunk about the piece written by Schulhoff and their experience in the Synagogue Prague. Elöd continues to inspire and captivate audiences with his masterful performances and dedication to music education. We invite you to explore his website and discover the depth of his talent and passion. Previous Next















